John Rutter Noten für gemischten Chor

Sentinels is really a long, unrelenting march whose pulse never slackens or quickens, and in which slightly quirky military-style gestures are almost always present. Butler imagined four standing play...

Twelve arrangements for unaccompanied SATB of folk-songs from the British Isles and North America

Feel the Spirit is a cycle of seven familiar spirituals equally suitable for concert, school, or church use. These vivid and expressive arrangements can be performed individually, or as a complete cyc...

In this resplendent anthem, John Rutter sets Psalm 47 to a joyous melody, with rapid metre changes that build towards an exhilarating finale.

Diese klassische Rutter-Hymne mit ihrer charaktervollen Klavier- oder Orchesterbegleitung sollte in keinem Chorrepertoire fehlen!

John Rutter wrote this anthem for the dedication of the Herbert Howells memorial window in Gloucester Cathedral in 1992. The first section is full of mystical intensity, and, with its iridescent chrom...

Für gemischten Chor (SATB) und Orgel (oder Orgel, Harfe und Violoncello. Orgelauszug.

In diesem Arrangement der traditionellen irischen Hymne vertont Rutter den Text aus dem 8. Jahrhundert (in seiner englischen Übersetzung) mit der irischen Volksmelodie Slane, zu der das Lied seit 1919...

for SATB, congregation, and organ

John Rutter wrote this anthem for the dedication of the Herbert Howells memorial window in Gloucester Cathedral in 1992. The first section is full of mystical intensity, and, with its iridescent chrom...

John Rutter komponierte "Blick auf den Tag" ("Look to the Day") auf Einladung der die britischen Krebsforschungsgesellschaf. Die melodische und erhebende Hymne mit warmen Harmonien vermittelt eine Bot...

Opera Choruses ist eine Sammlung von 35 klassischen Opernchören, die gekonnt als separate Konzertstücke arrangiert wurden, alle mit ausgezeichneten englischen Gesangsübersetzungen und praktischen Keyb...

A tender and lovely setting which is easy to sing. Particularly appropriate for weddings. The orchestral material is available on hire.

For SATB (with divisions) and piano. This charming French carol (with E.C. Nunn's English translation) tells of the milkmaids Jeanette and Isabella, who run to tell the shepherds to come and see the b...

This piece was composed in 1977 and combines Langston Hughes's evocative 'Words like Freedom' with excerpts from three of his other poems. The piece includes significant solos for soprano and baritone...

Die eindringliche Melodie der Strophen und der nachdenkliche Refrain des "Ave Maria" haben dieses Lied zu einem äußerst beliebten Lied gemacht. Es ist auch in einer Fassung für SSA-Stimmen erhältlich.

These Amens were written to fill a liturgical and musical gap in services where the prevailing style of the music is romantic. This is the first publication of the Amens in F and A, and the musical st...

Die Vorbilder Finzi und Vaughan Williams sind in diesen drei entzückenden Chorsätzen stark präsent, und doch ist Stil ganz Rutter. 'O Mistress Mine' ist ein hübscher Jazzwalzer, 'Be not afeard' verzau...

SSATB unaccompanied & SSAB soli Duration: 12 minutes Difficulty: Easy to Moderately difficult

For SATB unaccompanied. Also in 100 Carols for Choirs.

For SATB, accompanied and unaccompanied To celebrate the 50th anniversary of the publication of Carols for Choirs 1, OUP presents a new volume in this ground-breaking series. Carols for Choirs 5 conti...

Fauré's Cantique de Jean Racine has all the emotional appeal and refined elegance that one associates with its composer, and has a cherished place in the repertory of both sacred and secular choirs. T...

An impressive, deeply felt anthem by a master of English choral music for 8-part mixed choir with optional organ continuo.

Ein heller und optimistischer Segen, der Unisono-Passagen mit homophonen akkordischen Abschnitten kontrastiert. Das Stück steigert sich zu einem triumphalen Schluss.

The King of Love My Shepherd Is sets Psalm 23 to an arrangement of the Irish traditional melody St. Columba. Rutter keeps the first three verses largely in unison, alternating between male and female...