Jubilate Deo Noten

by Flor Peeters

For SATB Choir and Organ. Composed for the Choir of Leeds Parish Church.

Expertly written by Sally K. Albrecht for today's choirs, this Latin-text piece opens with a fanfare and evolves into an energetic work. The choral writing is traditional and powerful, and the piano a...

Expertly written by Sally K. Albrecht for today's choirs, this Latin-text piece opens with a fanfare and evolves into an energetic work. The choral writing is traditional and powerful, and the piano a...

This selection by Baroque composer Johan Helmich Roman, adapted in this edition for treble voices, is recommended for festival and contest programming for choirs in middle school and high school, as w...

The energy and excitement of this Greg Gilpin piece are evident in the rhythmic vocal writing and the supportive piano part. The combination of Latin and English text makes it an excellent choice for...

This Jubilate is rhythmic and fun to sing. Its forward momentum bursts with energy. Use this one for concert, festival or contest.

SATB and Organ. Written for the Chapel Royal at the Tower of London.

Here's a proven winner from Emily Crocker, a buoyant setting of Psalm 100. Crisp rhythms and dynamic music come together in this powerful concert festival work. Available: SATB, 2-Part, 3-Part Mixed,...

Uses: General, Call To Worship Scripture: Psalm 66; Psalm 100 This call to praise is a great opener or special anthem for service or concert use. Leaping from the page in a joyful 6/8 lilt, the themea...

A setting of Psalm 100 for SATB Choir and Organ.

The majestic Psalm 100 provides the text for this uplifting concert setting for 2-Part voices. The strong opening theme over a rhythmic piano underlay is developed through echo patterns in the vocals,...

Expertly written by Sally K. Albrecht for today's choirs, this Latin-text piece opens with a fanfare and evolves into an energetic work. The choral writing is traditional and powerful, and the piano a...

The energy and excitement of this Greg Gilpin piece are evident in the rhythmic vocal writing and the supportive piano part. The combination of Latin and English text makes it an excellent choice for...

A majestic fanfare provides the glorious introduction and triumphant conclusion to this exciting concert work. At the heart of the piece, buoyant vocal phrases glide over a percussive piano accompanim...

Originalkompositionen für tiefe Stimme (Alt oder Bass), zwei Blockflöten und Basso continuo. In der Reihe 'Flauto e voce' sind die Hefte 9 und 10 neu erschienen. Mit den hier vorgelegten Originalkompo...

This selection by Baroque composer Johan Helmich Roman, adapted in this edition for treble voices, is recommended for festival and contest programming for choirs in middle school and high school, as w...

Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this enchanting carol. Also available in versions for low voice, mixed voices, and upper voices.

Expertly written by Sally K. Albrecht for today's choirs, this Latin-text piece opens with a fanfare and evolves into an energetic work. The choral writing is traditional and powerful, and the piano a...

Pieces using the finger pattern 01-2-34 plus low 2nd fingers and high 3rd fingers 2nd and 3rd position pieces A range of bowing techniques, e. g. spiccato, hooked bowing, and string crossing Original...