Kammermusik Noten

In der Erinnerung an frühere Musikepochen erfreut sich das Rokoko-Zeitalter besonderer Beliebtheit. Unwillkürlich denkt man dabei an die strahlende Pracht kerzenerleuchterter Räume, wo sich auf spiege...

1. Stimme in C (Flöte/Oboe) 1. Stimme in Bb (Klarinetten) 2. Stimme in Bb (Trompete/Flügelhorn/Klarinette) 2. Stimme in Eb (Altsaxophon) 3. Stimme in Bb (Trompete/Flügelhorn/Klarinette) 3. Stimme in F...

Umfangreicher Stimmensatz für Blasorchester 1. Stimme in C (Flöte) 1. Stimme in C (Oboe/Trompete in C) 1. Klarinette in Bb (nur wenn Flöte besetzt) 1. Stimme in Eb (Eb-Klarinette/Altsax.) 1. Stimme in...

Solo-Posaune (Bariton) in C Solo-Posaune (Bariton) in Bb Flöte Oboe 1. Klarinette in Bb 2. Klarinette in Bb 3. Klarinette in Bb Bassklarinette in Bb Fagott Trompete in Bb 1. Horn in F/Eb 2. Horn in F/...

Mit „HÄÄT“ (2019) präsentiert der Verlag Neue Musik ein faszinierendes zeitgenössisches Kammermusikwerk, das die klanglichen Grenzen zweier kontrastreicher Instrumente auf packende Weise auslotet. Das...

The Berceuse for the Mary Rose for woodwind quintet was composed in February 2004. The inspiration for the piece came from a visit to the Mary Rose ship hall in Portsmouth, England. The composer was a...

This is a straightforward; yet beautiful arrangement of the famous tune. It will require sensitive musicianship and good technique; but is such a fine piece; it practically plays itself.

Reverie celebrates the wonderfully lyrical voices of the 'traditional' wind quintet - blending together as five singers; yet remaining distinct as individual voices. The work opens and closes as the v...

Since first composing It Takes Four to Tango in 1990 for a clarinet quartet, Dorff has been asked to transcribe/arrange the piece for various instrumental ensembles, with many of the arrangements avai...

The vernacular charm and wit of Don Gillis's music provides a giddy, cartoon-like set of moods for an instrumental setting of the tortoise, the hare, and their fabled escapades. SUITE NO. 1 is a perfe...

Perfect for pops concerts, SUITE NO. 3 provides a quaint time capsule of jazz-inspired classical music from 1939, soon after Gershwin's death, and just before the hard-edged modern jazz of the 1940s....

There is a refreshing spontaneity to Samuel Adler's WIND CONVERSATIONS for woodwind quintet. The slow introduction explores the timbres of the ensemble in glowing and harmonious polyphony, while the m...

This 5 minute concert opener is sure to start any program with an energetic bang. With a steady rhythmic groove, section solos and a soaring melodic lines, Leshnoff's style in writing accessible, dyna...

Siegfried Idyll was first performed in 1870 on Christmas Day in Wagner's home with a small 13 piece orchestra. It was written as a birthday present for his second wife, Cosine, a year after the birth...

An important and significant work, written in London in 1942 and now published for the first time: 60 years later! The first movement is tuneful and full of those surprises Malcolm loves to introduce...

Unpublished for over sixty years, this typically characterful work is very much in the style of Sir Malcolm's great film scores of the fifties and sixties.

Music from the film, Hobson's Choice, arranged for wind octet (2 oboes, 2 clarinets, 2 horns, 2 bassoons).