Karl L. King Noten für Blasorchester

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

A rousing classic march by Karl King in a new setting by arranger Gene Milford. All of the integrity of the original march has been kept intact, while presenting this challenging march in a full score...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...