Kendor Big Band-Noten

This minor blues in the hard bop tradition of Art Blakey and Cannonball Adderley was written for the 2020 District 8 Georgia Honor Jazz Band and is perfect for developing groups. The solo section is w...

This minor blues in the hard bop tradition of Art Blakey and Cannonball Adderley was written for the 2020 District 8 Georgia Honor Jazz Band and is perfect for developing groups. The solo section is w...

Der 'Kool Kat Blues' enthält ein einfaches Swing-Thema der Saxophone mit typischen Einwürfen der Blechbläser, die das Ensemble durch den Shout-Chorus führen. Der Solist am Altsaxophon kann im Soloteil...

This moderate swing chart for developing groups features an easy 8th-note riff melody played by the saxophone section. The brass add reinforcement throughout and lead the ensemble during the shout cho...

Shifting between shuffle and hip-hop feels and groovin' hard from start to finish, this exciting closer for advancing groups is recorded on the Tom Kubis album Live And Unleashed. Dense ensemble passa...

Shifting between shuffle and hip-hop feels and groovin' hard from start to finish, this exciting closer for advancing groups is recorded on the Tom Kubis album Live And Unleashed. Dense ensemble passa...

Shifting between shuffle and hip-hop feels and groovin' hard from start to finish, this exciting closer for advancing groups is recorded on the Tom Kubis album Live And Unleashed. Dense ensemble passa...

Rich ensemble writing, a resonant swing melody, and written or ad lib solos for all earn this street-smart blues high marks for accessibility and programming appeal. Ideal for advancing groups, a guit...

Rich ensemble writing, a resonant swing melody, and written or ad lib solos for all earn this street-smart blues high marks for accessibility and programming appeal. Ideal for advancing groups, a guit...

Rich ensemble writing, a resonant swing melody, and written or ad lib solos for all earn this street-smart blues high marks for accessibility and programming appeal. Ideal for advancing groups, a guit...

This driving shuffle original comes from a recent recording of the H2 Big Band entitled You're It! (Jazzed Media 1053). The band features the writing of Dave Hanson and is co-led by acclaimed jazz tru...

Recently recorded by the H2 Big Band on You're It! (Jazzed Media 1053), this driving shuffle for proficient groups is imaginative, skillfully orchestrated, and harmonically unique. Solo space is provi...

This new advanced level edition is taken directly from the original ink parts that were on the stands at the Thad Jones-Mel Lewis Jazz Orchestra (now the Vanguard Jazz Orchestra) debut performance in...

This advanced level edition is taken directly from the original ink parts that were on the stands at the Thad Jones-Mel Lewis Jazz Orchestra (now the Vanguard Jazz Orchestra) debut performance in Febr...

This moderate shuffle recalls the energetic hand-clapping tradition of a church camp meeting, and the energy level stays strong throughout. This 8 bar blues in the key of Db, is playable by advanced l...

This moderate shuffle recalls the energetic hand-clapping tradition of a church camp meeting, and the energy level stays strong throughout. This 8 bar blues in the key of Db, is playable by advanced l...

This arrangement calls for a very lazy feel. Keep saxes quietbehind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce so...

This arrangement calls for a very lazy feel. Keep saxes quiet behind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce s...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

In this appealing straight-8ths original for developing groups, the written solo for tenor sax takes center stage. Rhythm section parts are notated, and using electric guitar, piano and bass will help...

In this appealing straight-8ths original for developing groups, the written solo for tenor sax takes center stage. Rhythm section parts are notated, and using electric guitar, piano and bass will help...

In this appealing straight-8ths original for developing groups, the written solo for tenor sax takes center stage. Rhythm section parts are notated, and using electric guitar, piano and bass will help...

This arrangement combines two styles -- straight 8ths and a jazz 4/4 feel.