Kirchenlieder für Frauenchor

The top-selling hit from the King's Singers' 25th Anniversary Jubilee series. Available: SATB a cappella, SSA a cappella. Performance Time: Approx. 2:25.

This a cappella gem starts with a vocal rhythm pattern behind a solo, gradually building in intensity into a duet, a trio and finally a triumphant SSAA 4th verse. All the parts have interesting vocal...

This a cappella original work is both accessible and appealing for developing choirs and ideal for contest and festival repertoire.

This hauntingly beautiful work from Andrew Lloyd Webber's acclaimed Requiem is now available in a simply stunning a cappella edition. Available separately: SATB divisi, SSAA, TTBB. Duration: ca. 2:35.

Set to the majestic This is the day that the Lord hath made psalm text, this highly flexible a cappella work is especially good for a multi-choir festival or concert. Short and accessible, the work op...

William Byrd offers a beautiful setting for the motet, 'O Gloriosa Domina. ' James Marvin has transposed the original up a 4th, gaining great clarity for the treble voice. A highly expressive setting...

These new SAB and SSA arrangements make the beautiful Tomas Luis de Victoria choral work accessible for younger and smaller choirs as well as treble voices. The optional piano is a supportive accompan...

These new SAB and SSA arrangements make the beautiful Tomas Luis de Victoria choral work accessible for younger and smaller choirs as well as treble voices. The optional piano is a supportive accompan...

Uses: Ash Wednesday, All Saints, Memorial, Concert, Youth Choir Scripture: Psalm 104:1-4; Mark 13:24-27; Philippians 3:20-21 This classic spiritual is given the utmost care in this stellar arrangement...

Uses: Ash Wednesday, All Saints, Memorial, Concert, Youth Choir Scripture: Psalm 104:1-4; Mark 13:24-27; Philippians 3:20-21 This classic spiritual is given the utmost care in this stellar arrangement...

This contemporary original is an accessible concert or contest work for young choirs and features a strong rhythmic drive with contrasting mixed meter sections.

This contemporary original is an accessible concert or contest work for young choirs and features a strong rhythmic drive with contrasting mixed meter sections.

This edition of Cantate Domino is an arrangement for women's voices, in which a relatively broad spread of a men's choir is narrowed down to the more limited sonorous range of a women's chorus. This r...

Edited and arranged for 3-Part Chorus of Women's Voices by Jerry Weseley Harris. English text alternative provided.

Jameson Marvin, through his work with Harvard and Radcliffe, has re-established the importance of teaching polyphony in the modern choral classroom. This beautiful setting of the Magnificat by Palestr...

Jameson Marvin, through his work with Harvard and Radcliffe, has re-established the importance of teaching polyphony in the modern choral classroom. This beautiful setting of the Magnificat by Palestr...

This beautiful piece by Tobin Stokes is loosely based on the five stages of grieving by Elisabeth Kubler-Ross. The first section of the music, set for 6-part treble choir on the text Hear my prayer, O...

For SSAA unaccompanied. This piece was originally published in a version for mixed voices. With lush harmonies, moments of dynamic intensity, and an overriding sense of awe, it would make an ideal cen...

This compelling a cappella setting of Henry Van Dyke's poem has a continual sense of motion, created by the 7/8 metre and scat singing style that is passed around the parts. A powerful and uplifting a...

This heartfelt setting of words by the composer begins with a pianissimo drone over which the sopranos introduce the expressive melody. With lush harmonies, moments of dynamic intensity, and an overri...

Palestrina's setting of the Marian motet Alma Redemptoris Mater seamlessly interweaves each of the four independent voices based on the solemn tone of the corresponding chant. Offprinted from The Oxfo...

Consisting of two sections, this large-scale Christmas motet opens with a rich homophonic texture that is synonymous with Victoria's compositions. This is followed by imitation in the vocal lines befo...

This Marian text for Eastertide, Regina caeli, was set four times by Morales. This setting for four voices was first published in the Spanish composer's 1543 collection and notated in high clefs. The...

Recent scholarship postulates that this anonymous motet for the Feast of the Assumption of the Blessed Virgin Mary was in fact written by Leonora d'Este, daughter of Duke Alfonso I and Lucrezia Borgia...

The opening of this motet displays Massaino's skill in the art of word-painting with soaring lines that play on the word 'arise' (Surge). Punctuated with occasional homophonic writing, the beautiful m...