Kirchenlieder für Frauenchor

The organ part is supportive, but full of interest and not merely accompanimental. Particularly memorable are the jaunty Gloria, with its constantly shifting time-signatures, and the haunting Agnus De...

Four brief vocal duets highlight this joyful work from the motet Veni Sancte Spiritus, written by Wolfgang Amadeus Mozart when he was only 12 years old. Classical sonorities resonate through the varyi...

This tender song of remembrance features a poignant original text combined with Latin phrases from the Requiem Mass. Close cluster chords, beautifully sculpted phrases, and expressive dynamics leave t...

Victor C. Johnsons strahlende Umsetzung des traditionellen lateinischen Textes "Licht, das aus Licht geboren wurde" eignet sich gleichermaßen für den Konzertsaal, die Bühne oder den Altarraum. Mit vie...

Das Werk beschreibt in eindrücklicher Form das ungeheuerliche Geschehen vor den Toren Jerusalems vor fast 2000 Jahren. Vom Verrat des Judas bis zur Kreuzigung auf dem Hügel Golgatha. Die Begleitung de...

Bearbeitung für Frauenchor oder Kinderchor a cappella. Die notierten Akkordsymbole geben die Möglichkeit für kreative alternative Interpretationen.

Develop your choir's a cappella skills with this straightforward original madrigal by Donald Moore. Traditional harmonies, modest ranges, and lots of repetition make it a quick-learn piece. Contrastin...

Dieses A-cappella-Stück für Dreifach- oder Männerchöre ist eine hervorragende Wahl für alle Jahreszeiten. Starke Einzelstimmen fügen sich zu einem spannenden, dynamischen und lebendigen Konzertstück z...

Now available for SAB and SSA choirs, this anthem creatively combines two beloved hymns and represents a touching tribute to the Savior's redeeming work on the cross. The scene is set with the hauntin...

Chorale from Church Cantata No. 147 for Three-Part Chorus of Women's voices SSA with piano or organ accompaniment. Arranged by Bryceson Treharne.

Fauré's Cantique de Jean Racine has all the emotional appeal and refined elegance that one associates with its composer, and has a cherished place in the repertory of both sacred and secular choirs. T...

SSA After hearing the opening piano introduction, you know something special is about to happen. . . and it does! A haunting, unforgettable Greg Gilpin melody unfolds skillfully with fluid voice leadi...

A strong choral statement that begins in C minor, builds, and finishes powerfully with a jubilant ending in E-flat major. Great contemporary writing, accessible for today's choirs. One of Jay Althouse...

Stacked vocal lines and counterpoint handclaps sound (and look) stunning! Each voice part introduces its own independent melody with claps, until everything combines in joyful polyphony. Some chordal...

Eine Vertonung von Kyrie, Sanctus und Agnus Dei in einem romantischen Stil irgendwo zwischen Mendelssohn und Rheinberger. Die einfache Begleitstimme klingt am schönsten, wenn sie auf einer Harfe gespi...

First place in the Little Singers of Armenia International Choral Competition, Psallite is an exciting, challenging work for treble chorus. Rhythmic and uplifting, this would make an excellent concert...

SSSAAA a cappella {20./21. Jahrhundert}

Faber New Choral Works introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both l...

Sanctum" ist eine fesselnde Vertonung des Requiem-Textes in vier Sätzen, inspiriert von der Landschaft der kanadischen Westküste. Jeder Satz stellt einen Aspekt von Vancouver Island dar (das Wasser, d...

This compelling a cappella setting of Henry Van Dyke's poem has a continual sense of motion, created by the 7/8 metre and scat singing style that is passed around the parts. A powerful and uplifting a...

Dieser 2009 komponierte kurze, feierliche Introitus war das erste von mehreren A-cappella-Werken, die ich für Matthew Owens und die Wells Cathedral Girl Choristers geschrieben habe. Der lateinische Te...