Kirchenlieder für gemischten Chor

Das Vaterunser als höchstes Gebet des Christentums wird hier in einem schlichten, aber nicht banalen Satz von Javier Busto vorgelegt. Das Werk beschreibt einen sehr ruhigen, demütigen und leisen Chara...

Komposition von Rihards Dubra für unbegleiteten gemischten Chor mit lateinischem Text.

There is an unrelenting confidence in this anthem which affirms the faithfulness of God in the life of the believer. This joyful declaration of hope is set to a vigorous musical concept, with a rhythm...

For SSAATB unaccompanied.

A syncopated opening bass lick lays the groundwork for this quintessential a cappella spiritual. When the other voices join, we begin a journey of texture, harmonic development, and form, indicative o...

Der traditionelle lateinische Text "Ewiges Licht" wird in diesem kunstvollen A-cappella-Werk der zeitgenössischen Chorkomponistin Ruth Morris Gray wunderbar zum Leben erweckt. Mit viel Raum für Rubato...

Motets ist eine Zusammenstellung von innigen und geistig anregenden A-cappella-Chorwerken von Karl Jenkins. Darunter befinden sich neben zwei neu komponierten Stücken vor allem Arrangements von Teilen...

A choral worship collection for five-voice choir, a cappella with latin text, composed by Thomas Tallis.

The Tallis Psalter comprises a collection of Tallis's 9 tunes for Archbishop Parker's Psalter, preces and responses, the Magnificat and Nunc dimittis (Dorian Service) and a number of easily learnable...

For SATB unaccompanied. This short, eloquent Benediction sets words from St Patrick's Breastplate (5th century). Also available in John Rutter Anthems.

Hanna Havrylets' wunderschönes Gebet hat in den letzten Jahren sowohl in Chor- als auch in Instrumentalfassungen große Beachtung gefunden - eine wunderbare Hommage an Havrylets' musikalisches Vermächt...

Jesse Beulke is a relatively new name yet his writing deserves notice. Selected for the David Dickau Signature Series, this piece may bring him the appropriate attention. The text is quite traditional...

Who doesn't remember musical moments in their past, when singing became transcendent and the moment became a memory never to be forgotten? Henry Van Dyke's poem recalls that time and Matthew Emery, th...

Cantate Domino means sing a new song to the Lord, and this composition truly embodies its meaning. Beginning in 7/8, the opening motif is a short statement in Latin, then English, that establishes the...

Song of Solomon 1:1-2, 3:2, 8:14. Based on Lithuanian cantillation. For SAATB, Rehearsal Keyboard.

Some hallmarks of an excellent choral arrangement are sensitivity to the text, singing lines for each of the vocal parts, and variation in texture. Zuckerman's arrangements are so good, they almost si...

Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).

Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).

Nick Page strikes again with a dynamic, uplifting unaccompanied tune beginning to be performed by your ensemble for Chanukah! Choirs will have lots of fun with this lively, intense setting of the Hebr...

Uses: Concert, General Scripture: Matthew 7:13-14; Revelation 7:13-17 A vocal tour de force, this arrangement of the traditional spiritual is overflowing with unbridled joy! A pivotal solo moment invi...

Uses: Concert, General Scripture: Matthew 7:13-14; Revelation 7:13-17 A vocal tour de force, this arrangement of the traditional spiritual is overflowing with unbridled joy! A pivotal solo moment invi...

Bob Chilcott, described by the Observer newspaper as a contemporary hero of British choral music, has been working as a choral composer and conductor since leaving The King's Singers in 1997. While in...

Following a short a cappella vocal fanfare, this exuberant work transitions into a lively 12/8 theme with full vocal textures and rich harmonies. The middle section is a contrasting slower 4/4 legato...

Following a short a cappella vocal fanfare, this exuberant work transitions into a lively 12/8 theme with full vocal textures and rich harmonies. The middle section is a contrasting slower 4/4 legato...

This spirited 3-voice madrigal with hand drum dances with humor and rhythmic energy! Excellent as a processional or opening number, your singers will enjoy the clever wordplay and vocal effects! Durat...