Kirchenlieder für gemischten Chor

Composed for the choir of St. Chad's, Shrewsbury, this setting for unaccompanied mixed voices of the prayer after communion presents the text in a straightforward manner, with nuanced phrases and gent...

Composed for the choir of St. Chad's, Shrewsbury, this setting for unaccompanied mixed voices of the prayer after communion presents the text in a straightforward manner, with nuanced phrases and gent...

Here is a lovely setting of the 19th century William Bartholomew text that reflects on the new life that is born in the midst of winter, turning darkness into light and doing just that through music,...

The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...

This beautiful a cappella arrangement of the Phos Hilaron prayer of light is written by the current Executive Director of the American Choral Directors Association, Tim Sharp. The piece is especially...

This set of three anthems are written in Hebrew for SAB a cappella voices. Nick Strimple wrote them for a friend's memorial service. A Hebrew pronunciation guide is provided as well as English transla...

Song of Solomon 1:1-2, 3:2, 8:14. Based on Lithuanian cantillation. For SAATB, Rehearsal Keyboard.

Some hallmarks of an excellent choral arrangement are sensitivity to the text, singing lines for each of the vocal parts, and variation in texture. Zuckerman's arrangements are so good, they almost si...

Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).

Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).

Nick Page strikes again with a dynamic, uplifting unaccompanied tune beginning to be performed by your ensemble for Chanukah! Choirs will have lots of fun with this lively, intense setting of the Hebr...

Uses: Easter Scripture: Luke 24:2-3; Acts 4:33; I Peter 1:3 Teeming with gospel goodness, this unaccompanied gem is a charming change for Resurrection Sunday. The infectious call and response format c...

Uses: Concert, General Scripture: Matthew 7:13-14; Revelation 7:13-17 A vocal tour de force, this arrangement of the traditional spiritual is overflowing with unbridled joy! A pivotal solo moment invi...

Uses: Concert, General Scripture: Matthew 7:13-14; Revelation 7:13-17 A vocal tour de force, this arrangement of the traditional spiritual is overflowing with unbridled joy! A pivotal solo moment invi...

Now available in additional voicings, Sorida is a term of greeting in the Shona language of Zimbabwe, Africa, similar to shalom in Hebrew or jambo in Swahili. This original work features percussion, l...

Now available in additional voicings, Sorida is a term of greeting in the Shona language of Zimbabwe, Africa, similar to shalom in Hebrew or jambo in Swahili. This original work features percussion, l...

Here is the famous madrigal by Thomas Morley in a new performing edition. Ideal for chamber, madrigal and concert choirs, this cheerful work offers superb opportunities for developing style, intonatio...

Uses: General, Concert, Benediction Scripture: Romans 15:13 This final blessing for worship or concert usage is a delicate choral tapestry filled with tender beauty and exquisite sonic moments. The te...

Based on a Galliard by the Elizabethan composer Antony Holborne, this adaptation for voices includes a festive text that will be ideal for madrigal dinners, concerts and holiday programs.

The words of Justin Gung express God's love and power in assuring tenderness. Michael Graham's musical setting maintains the gentleness while enhancing a profound beauty as well. Soft expressions of p...