Kirchenlieder für gemischten Chor

This short original setting of the Adoramus Te text allows choirs to develop tone quality, blend and expressiveness through homophonic harmonies and legato phrasing with occasional dissonances and sus...

This short original setting of the Adoramus Te text allows choirs to develop tone quality, blend and expressiveness through homophonic harmonies and legato phrasing with occasional dissonances and sus...

A new setting of the text of the Latin Grace from Sidney Sussex College at Cambridge University with a beautiful undulating soprano solo. Ideal for the concert hall or for use in a liturgical setting....

A new setting of the text of the Latin Grace from Sidney Sussex College at Cambridge University with a beautiful undulating soprano solo. Ideal for the concert hall or for use in a liturgical setting....

A joyful, simple piece in the traditional hymn format. Verses selected from Psalm 103

This sacred concert piece is in Orban's signature style, it is difficult, yet incredibly beautiful.

This canon arrangement of Psalm 66 is of moderate difficulty and would be suitable for a secondary or adult choir, would be a wonderful concert piece.

An exhilarating cappella piece inspired by the Psalms, a good high school piece

One of the greatest modern composers for the church, Lloyd Pfautsch, adapts Psalm 51 for Ash Wednesday, Lent, Communion, or general use.

Concert setting of Psalm 139: 23-24 for advanced chorus, a cappella

Howard Helvey does it again. This motet on Psalm 117 (Latin) for unaccompanied mixed voices is true to this composer's skill with harmonic beauty and textual sensitivity. Try it with small or large ch...

This piece was winner of the 2010 Vanguard Premieres Choral Composition Contest. A setting of Psalm 42, the rich harmonic language and skilled voice leading produce a lovely effect that complements th...

The work of James Green is known to many of you because of his long association with Hinshaw music. This unique piece for mixed voices (SATB or SAB) a cappella has texts for either secular or sacred v...

This a cappella piece for adult choir is suitable for either a concert or for Easter time. The tune is by Johannes Eccard and the words are by Martin Luther. Dennis Shrock edited it for the Choral Tra...

A fairly advanced setting for three SATB choirs that is good for concert or worship situations.

This extremely popular anthem is one of the choruses from John Stainer's 'The Crucifixion, ' a large choral work usually described as a cantata or oratorio but which the composer called 'a meditation...

This is a moderately challenging, a cappella setting of Psalm 144, 'What is a man that you even notice him?'

Originally set for four voices a cappella, Russell Robinson has taken this classic work and added an optional piano accompaniment and voiced it for 3-part mixed voices. Ideal for youth choirs.

Uses: Benediction, concert, general Scripture: Colossians 1:24-29; Exodus 33:12-14 David Schwoebel composed this benediction to honor Bingham Vick, celebrated choral conductor and educator from Furman...

Uses: Benediction, concert, general Scripture: Colossians 1:24-29; Exodus 33:12-14 David Schwoebel composed this benediction to honor Bingham Vick, celebrated choral conductor and educator from Furman...

Uses: General, Lent, prayer service Scripture: Philippians 4:6-7; John 14:13-14; 1 Thessalonians 5:16-18 Following the success of Didn't My Lord Deliver Daniel?, Don Hart brings us anexhilarating spi...

Uses: General, Lent, prayer service Scripture: Philippians 4:6-7; John 14:13-14; 1 Thessalonians 5:16-18 Following the success of Didn't My Lord Deliver Daniel?, Don Hart brings us anexhilarating spi...

Uses: Compline Service, Concert Scripture: Psalms 46:10; 4:4 A profound text is presented with awesome emotion in this exquisite tone poem. A purity of sound is demanded of the ensemble in thecomposer...

Uses: Compline Service, Concert Scripture: Psalms 46:10; 4:4 A profound text is presented with awesome emotion in this exquisite tone poem. A purity of sound is demanded of the ensemble in thecomposer...