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Set in the form of a passionate Spanish dance, this famous aria from Bizet's Carmen adapts beautifully for flutes since all figures must be played with a light touch to be effective. A modulation at t...
Set in the form of a passionate Spanish dance, this famous aria from Bizet's Carmen adapts beautifully for flutes since all figures must be played with a light touch to be effective. A modulation at t...
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- James Christensen
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Flutists will love this expressive version of Bach's beautiful piece from his Orchestral Suite No. 3. Duration 4:25.
Flutists will love this expressive version of Bach's beautiful piece from his Orchestral Suite No. 3. Duration 4:25.
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- Gregory Yasinitsky
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This well-known Tschaikowsky melody arranged for flute quartet at the grade 3 level will add rhythmic variety and a mysterioso element to your flute ensemble repertoire. Duration 3:00.
This well-known Tschaikowsky melody arranged for flute quartet at the grade 3 level will add rhythmic variety and a mysterioso element to your flute ensemble repertoire. Duration 3:00.
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- Evelyn Sabina
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Luigi Boccherini's music has been skillfully adapted for both flute and clarinet quartets by Frank Halferty. This classic piece makes for refreshing new programming at the grade 4 level. Frank passes...
Luigi Boccherini's music has been skillfully adapted for both flute and clarinet quartets by Frank Halferty. This classic piece makes for refreshing new programming at the grade 4 level. Frank passes...
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- Frank J. Halferty
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Although originally named the Infernal Galop from Act II, Scene 2 of Jacques Offenbach's operetta of 1858, Orpheus In The Underworld, this theme has become widely known as the high-kicking Can Can dan...
Although originally named the Infernal Galop from Act II, Scene 2 of Jacques Offenbach's operetta of 1858, Orpheus In The Underworld, this theme has become widely known as the high-kicking Can Can dan...
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- Gregory Yasinitsky
- Kendor Music
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The astounding popularity of the only canon Pachelbel ever wrote rests upon its melodic beauty, harmonic clarity, and steady pulse. In this straightforward setting all players have equally vital roles...
The astounding popularity of the only canon Pachelbel ever wrote rests upon its melodic beauty, harmonic clarity, and steady pulse. In this straightforward setting all players have equally vital roles...
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- Ricky Lombardo
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- Schott Musik
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- Max Hieber Musikverlag
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- Dorothea Redepenning
- Karl Heinrich Möseler Verlag
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- Querflöte und Basso Continuo
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- Edwin F. Kalmus
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- Edwin F. Kalmus
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- Edwin F. Kalmus
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- Edwin F. Kalmus
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- Edwin F. Kalmus
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- Edwin F. Kalmus
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- Edwin F. Kalmus
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- Edwin F. Kalmus
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- Edwin F. Kalmus
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- Edwin F. Kalmus
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- Edwin F. Kalmus
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- Edwin F. Kalmus
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- Edwin F. Kalmus
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- Edwin F. Kalmus
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