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Fanfare and Celebration was composed in 2000 to commemorate the 30th anniversary of the Michigan ASTA Junior High String Camp, founded by Elizabeth Green in 1970. The piece is set in D major and conta...
Fanfare and Celebration was composed in 2000 to commemorate the 30th anniversary of the Michigan ASTA Junior High String Camp, founded by Elizabeth Green in 1970. The piece is set in D major and conta...
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Fanfare and Celebration was composed in 2000 to commemorate the 30th anniversary of the Michigan ASTA Junior High String Camp, founded by Elizabeth Green in 1970. The piece is set in D major and conta...
Fanfare and Celebration was composed in 2000 to commemorate the 30th anniversary of the Michigan ASTA Junior High String Camp, founded by Elizabeth Green in 1970. The piece is set in D major and conta...
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Energetic and 'hard-driving' best describe this tour de force for high school orchestra. Two solo violins and a solo viola introduce this piece through a haunting, lyrical theme. The theme is subseque...
Energetic and 'hard-driving' best describe this tour de force for high school orchestra. Two solo violins and a solo viola introduce this piece through a haunting, lyrical theme. The theme is subseque...
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Holberg Suite was composed in the Baroque dance-suite style, and consists of five movements, with the Sarabande and Gavotte as the second and third of these. In this arrangement, careful attention has...
Holberg Suite was composed in the Baroque dance-suite style, and consists of five movements, with the Sarabande and Gavotte as the second and third of these. In this arrangement, careful attention has...
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Holberg Suite was composed in the Baroque dance-suite style, and consists of five movements, with the Sarabande and Gavotte as the second and third of these. In this arrangement, careful attention has...
Holberg Suite was composed in the Baroque dance-suite style, and consists of five movements, with the Sarabande and Gavotte as the second and third of these. In this arrangement, careful attention has...
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String Celebration gives every player a chance to play the melody. The piece includes major and minor keys that are very accessible to the beginning string orchestra.
String Celebration gives every player a chance to play the melody. The piece includes major and minor keys that are very accessible to the beginning string orchestra.
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String Celebration gives every player a chance to play the melody. The piece includes major and minor keys that are very accessible to the beginning string orchestra.
String Celebration gives every player a chance to play the melody. The piece includes major and minor keys that are very accessible to the beginning string orchestra.
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This work was arranged for the Myers Park Repertory Orchestra. The concerto is the third from the set of opus 3 concerti titled L'estro Harmonico ('The Harmonic Inspiration'). The work, originally for...
This work was arranged for the Myers Park Repertory Orchestra. The concerto is the third from the set of opus 3 concerti titled L'estro Harmonico ('The Harmonic Inspiration'). The work, originally for...
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This work was arranged for the Myers Park Repertory Orchestra. The concerto is the third from the set of opus 3 concerti titled L'estro Harmonico ('The Harmonic Inspiration'). The work, originally for...
This work was arranged for the Myers Park Repertory Orchestra. The concerto is the third from the set of opus 3 concerti titled L'estro Harmonico ('The Harmonic Inspiration'). The work, originally for...
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Maurice Ravel komponierte Mutter Gans (Ma mere l'oye) als Suite in fünf Sätzen für Klavier zu vier Händen zwischen 1908-10. Er orchestrierte die Suite im Jahr 1911. Der verzauberte Garten (Le Jardin f...
Maurice Ravel komponierte Mutter Gans (Ma mere l'oye) als Suite in fünf Sätzen für Klavier zu vier Händen zwischen 1908-10. Er orchestrierte die Suite im Jahr 1911. Der verzauberte Garten (Le Jardin f...
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Maurice Ravel komponierte Mutter Gans (Ma mere l'oye) als Suite in fünf Sätzen für Klavier zu vier Händen zwischen 1908-10. Er orchestrierte die Suite im Jahr 1911. Der verzauberte Garten (Le Jardin f...
Maurice Ravel komponierte Mutter Gans (Ma mere l'oye) als Suite in fünf Sätzen für Klavier zu vier Händen zwischen 1908-10. Er orchestrierte die Suite im Jahr 1911. Der verzauberte Garten (Le Jardin f...
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This arrangement features the main theme from the second movement of Tchaikovsky's Symphony No. 4 in F minor, Op. 36. Tchaikovsky composed this during a period of personal crisis, therefore the work a...
This arrangement features the main theme from the second movement of Tchaikovsky's Symphony No. 4 in F minor, Op. 36. Tchaikovsky composed this during a period of personal crisis, therefore the work a...
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This arrangement features the main theme from the second movement of Tchaikovsky's Symphony No. 4 in F minor, Op. 36. Tchaikovsky composed this during a period of personal crisis, therefore the work a...
This arrangement features the main theme from the second movement of Tchaikovsky's Symphony No. 4 in F minor, Op. 36. Tchaikovsky composed this during a period of personal crisis, therefore the work a...
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This authentic arrangement of William Boyce's Symphony No. 1 preserves the original melodic and harmonic material along with the three-movement Italian sinfonia form; however, the original key of B-fl...
This authentic arrangement of William Boyce's Symphony No. 1 preserves the original melodic and harmonic material along with the three-movement Italian sinfonia form; however, the original key of B-fl...
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This authentic arrangement of William Boyce's Symphony No. 1 preserves the original melodic and harmonic material along with the three-movement Italian sinfonia form; however, the original key of B-fl...
This authentic arrangement of William Boyce's Symphony No. 1 preserves the original melodic and harmonic material along with the three-movement Italian sinfonia form; however, the original key of B-fl...
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Two contrasting Shaker melodies provide the framework for this piece, which alternates between 6/8 and cut time. The first, Followers of the Lamb, was written by Sister Clarissa Jacobs (1833-1905). Ac...
Two contrasting Shaker melodies provide the framework for this piece, which alternates between 6/8 and cut time. The first, Followers of the Lamb, was written by Sister Clarissa Jacobs (1833-1905). Ac...
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Two contrasting Shaker melodies provide the framework for this piece, which alternates between 6/8 and cut time. The first, Followers of the Lamb, was written by Sister Clarissa Jacobs (1833-1905). Ac...
Two contrasting Shaker melodies provide the framework for this piece, which alternates between 6/8 and cut time. The first, Followers of the Lamb, was written by Sister Clarissa Jacobs (1833-1905). Ac...
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A gem from the Baroque, this Handel work is in the typical French Overture form, with a stately opening with dotted rhythms, followed by a fugal allegro. In G Major, this exhilarating work lies easily...
A gem from the Baroque, this Handel work is in the typical French Overture form, with a stately opening with dotted rhythms, followed by a fugal allegro. In G Major, this exhilarating work lies easily...
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A gem from the Baroque, this Handel work is in the typical French Overture form, with a stately opening with dotted rhythms, followed by a fugal allegro. In G Major, this exhilarating work lies easily...
A gem from the Baroque, this Handel work is in the typical French Overture form, with a stately opening with dotted rhythms, followed by a fugal allegro. In G Major, this exhilarating work lies easily...
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Vir-cello Reality, as the title suggests, is a showcase for the cello section. This fast-paced rondo gives the cello section the opportunity to show off their agility, and allows them to sing out as a...
Vir-cello Reality, as the title suggests, is a showcase for the cello section. This fast-paced rondo gives the cello section the opportunity to show off their agility, and allows them to sing out as a...
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Vir-cello Reality, as the title suggests, is a showcase for the cello section. This fast-paced rondo gives the cello section the opportunity to show off their agility, and allows them to sing out as a...
Vir-cello Reality, as the title suggests, is a showcase for the cello section. This fast-paced rondo gives the cello section the opportunity to show off their agility, and allows them to sing out as a...
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What would it sound like if Scott Joplin had written 'Jingle Bells?' Your students and audience will find out when they hear this delightful holiday piece in ragtime style. Full of great teaching oppo...
What would it sound like if Scott Joplin had written 'Jingle Bells?' Your students and audience will find out when they hear this delightful holiday piece in ragtime style. Full of great teaching oppo...
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What would it sound like if Scott Joplin had written 'Jingle Bells?' Your students and audience will find out when they hear this delightful holiday piece in ragtime style. Full of great teaching oppo...
What would it sound like if Scott Joplin had written 'Jingle Bells?' Your students and audience will find out when they hear this delightful holiday piece in ragtime style. Full of great teaching oppo...
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This triad of 'B's' explores a variety of styles, meters and modalities. 'Be-Boppin' Bourée' is a juxtaposition of 17th century bourée and 20th century swing styles, complete with walking bass line. '...
This triad of 'B's' explores a variety of styles, meters and modalities. 'Be-Boppin' Bourée' is a juxtaposition of 17th century bourée and 20th century swing styles, complete with walking bass line. '...
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This triad of 'B's' explores a variety of styles, meters and modalities. 'Be-Boppin' Bourée' is a juxtaposition of 17th century bourée and 20th century swing styles, complete with walking bass line. '...
This triad of 'B's' explores a variety of styles, meters and modalities. 'Be-Boppin' Bourée' is a juxtaposition of 17th century bourée and 20th century swing styles, complete with walking bass line. '...
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