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An atmospheric setting of Caliban's dream from The Tempest, this piece transports the listener to a dream-like place. McDowall's immersive harmonies and ornamentation perfectly characterise the reveri...
An atmospheric setting of Caliban's dream from The Tempest, this piece transports the listener to a dream-like place. McDowall's immersive harmonies and ornamentation perfectly characterise the reveri...
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- Oxford University Press
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I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in ever...
I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in ever...
- Gemischter Chor (SATB)
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- Oxford University Press
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'Peace in the world' is the expressive middle movement from Images of Peace , which is a cycle of five songs that encourage peace and understanding. Although composed for secular use, this beautifully...
'Peace in the world' is the expressive middle movement from Images of Peace , which is a cycle of five songs that encourage peace and understanding. Although composed for secular use, this beautifully...
- Gemischter Chor (SSATB)
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- Oxford University Press
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In this ethereal, atmospheric setting of Canadian poet Marjorie Pickthall's 'Stars', Oliver Tarney displays great sensitivity to the poem's vivid imagery and employs an evocative harmonic language tha...
In this ethereal, atmospheric setting of Canadian poet Marjorie Pickthall's 'Stars', Oliver Tarney displays great sensitivity to the poem's vivid imagery and employs an evocative harmonic language tha...
- Gemischter Chor (SATB)
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- Oxford University Press
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When spring comes walking is a warm and optimistic setting of an evocative poem by Charles Bennett that explores themes of rebirth, nature, and celebration. Chilcott embraces the return of spring with...
When spring comes walking is a warm and optimistic setting of an evocative poem by Charles Bennett that explores themes of rebirth, nature, and celebration. Chilcott embraces the return of spring with...
- Gemischter Chor (SSAATTBB)
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- Oxford University Press
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This secular work by John Rutter sets the text of Shakespeare's Sonnet No. 18. Rutter skilfully weaves the figurative language of the sonnet within the melodic lines of the music. Shakespeare's text i...
This secular work by John Rutter sets the text of Shakespeare's Sonnet No. 18. Rutter skilfully weaves the figurative language of the sonnet within the melodic lines of the music. Shakespeare's text i...
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This setting of A Spotless Rose reflects the wintry starkness of the fifteenth-century text through its minor key and bare upper-voice opening, while the warmth of the full voicing on the words 'light...
This setting of A Spotless Rose reflects the wintry starkness of the fifteenth-century text through its minor key and bare upper-voice opening, while the warmth of the full voicing on the words 'light...
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This expressive piece is based on The Seven Sacred Virtues of the Lakota: the title describes a commitment to live by these values, the metaphorical 'red road', being a spiritual way of life. The unhu...
This expressive piece is based on The Seven Sacred Virtues of the Lakota: the title describes a commitment to live by these values, the metaphorical 'red road', being a spiritual way of life. The unhu...
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This rich arrangement of the second movement of Rachmaninoff's Second Piano Concerto for wordless a cappella voices was written for Harry Christophers and The Sixteen. Chilcott artfully reimagines a p...
This rich arrangement of the second movement of Rachmaninoff's Second Piano Concerto for wordless a cappella voices was written for Harry Christophers and The Sixteen. Chilcott artfully reimagines a p...
- Soli (SA) und gemischter Chor (SSAATTBB)
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- Bob Chilcott
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This setting of a traditional Gaelic prayer is poignant and heartfelt, with sustained lines and a full, rich choral sound. Gentle shifts in harmony between various combinations of voices and the use o...
This setting of a traditional Gaelic prayer is poignant and heartfelt, with sustained lines and a full, rich choral sound. Gentle shifts in harmony between various combinations of voices and the use o...
- Gemischter Chor (SATB)
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- Oxford University Press
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This setting of Orlando Gibbons and Catullus is a re-working of Gibbons's celebrated seventeenth-century madrigal (of the same title) for five voices. It retains the lilting depiction of the swan and...
This setting of Orlando Gibbons and Catullus is a re-working of Gibbons's celebrated seventeenth-century madrigal (of the same title) for five voices. It retains the lilting depiction of the swan and...
- 2 gemischte Chöre (SATB)
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- Bob Chilcott
- Oxford University Press
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This is a warm and tender piece setting the last three verses of Christina Rossetti's 'What good shall my life do me?', which encourages leading a life of love as an example for others. Daley's heartf...
This is a warm and tender piece setting the last three verses of Christina Rossetti's 'What good shall my life do me?', which encourages leading a life of love as an example for others. Daley's heartf...
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Settings words from part of a letter by Edna St Vincent Millay to her lover Arthur Davison Ficke, this is a gentle, charming piece that celebrates our freedom to love.
Settings words from part of a letter by Edna St Vincent Millay to her lover Arthur Davison Ficke, this is a gentle, charming piece that celebrates our freedom to love.
- Gemischter Chor (SATB)
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- Oxford University Press
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This imaginative setting of Longfellow's poem encourages the use of evocative bird and wind noises to capture the text's natural imagery. In a fresh, a cappella style, Hawley's charismatic melodies so...
This imaginative setting of Longfellow's poem encourages the use of evocative bird and wind noises to capture the text's natural imagery. In a fresh, a cappella style, Hawley's charismatic melodies so...
- Gesang (tief) und gemischter Chor (SSATB)
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- Oxford University Press
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Composed for International Women's Day, this mesmerizing piece celebrates the centennary of Rosalind Franklin and sets her own words with additional text by the poet Seán Street. . . .
Composed for International Women's Day, this mesmerizing piece celebrates the centennary of Rosalind Franklin and sets her own words with additional text by the poet Seán Street. . . .
- Gemischter Chor (SSATB)
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- Oxford University Press
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This compact anthem for unaccompanied choir is the result of another successful collaboration between Bob Chilcott and the poet Charles Bennett. Well-crafted and tender melodic lines are shared betwee...
This compact anthem for unaccompanied choir is the result of another successful collaboration between Bob Chilcott and the poet Charles Bennett. Well-crafted and tender melodic lines are shared betwee...
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Taken at a slow processional tempo this work has a predominantly canonic texture. The syncopated passages are at once sombre and sensual, and the balancing homphonic phrases achieve real power. A shor...
Taken at a slow processional tempo this work has a predominantly canonic texture. The syncopated passages are at once sombre and sensual, and the balancing homphonic phrases achieve real power. A shor...
- Gemischter Chor (SATB)
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- Oxford University Press
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- Gemischter Chor (SATB)
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- Oxford University Press
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This is one of Clarke's many pieces on love, and one of the best. It combines the English modality of earlier times with foretastes of the adventurous chromaticism of her later work. It is a lovely pi...
This is one of Clarke's many pieces on love, and one of the best. It combines the English modality of earlier times with foretastes of the adventurous chromaticism of her later work. It is a lovely pi...
- Gemischter Chor (SATB)
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- Oxford University Press
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This is an appropriately aching setting of Sir Philip Sidney's poem of unending desire and longing. There are gorgeous chromatics and enharmonics and a masterful use of a triplet pattern which becomes...
This is an appropriately aching setting of Sir Philip Sidney's poem of unending desire and longing. There are gorgeous chromatics and enharmonics and a masterful use of a triplet pattern which becomes...
- Gemischter Chor (SATB)
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Weep you no more, sad fountains is a modern take on the Elizabethan lute-song, integrating the characteristic alternations of minor and major, fondness for cross-relations, and vivid word-painting. Th...
Weep you no more, sad fountains is a modern take on the Elizabethan lute-song, integrating the characteristic alternations of minor and major, fondness for cross-relations, and vivid word-painting. Th...
- Gemischter Chor (SATB)
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- Oxford University Press
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Music, when soft voices die combines aspects of nineteenth-century English pastoral style with some of the tonal adventurousness of Vaughan Williams's Shakespeare settings. This is an exceptionally be...
Music, when soft voices die combines aspects of nineteenth-century English pastoral style with some of the tonal adventurousness of Vaughan Williams's Shakespeare settings. This is an exceptionally be...
- Gemischter Chor (SATB)
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- Oxford University Press
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This full- sounding choral work with a driving, rhythmic intensity may be performed a cappella or with the piano doubling the voices. ABA form makes for quick learning. Secular text is perfect for sch...
This full- sounding choral work with a driving, rhythmic intensity may be performed a cappella or with the piano doubling the voices. ABA form makes for quick learning. Secular text is perfect for sch...
- Gemischter Chor (SATB)
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- Alfred Publishing
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This full- sounding choral work with a driving, rhythmic intensity may be performed a cappella or with the piano doubling the voices. ABA form makes for quick learning. Secular text is perfect for sch...
This full- sounding choral work with a driving, rhythmic intensity may be performed a cappella or with the piano doubling the voices. ABA form makes for quick learning. Secular text is perfect for sch...
- Gemischter Chor (SAB)
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- Alfred Publishing
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A thoughtful song of parting, benediction-like, in the style of an Irish blessing. Basic choral writing throughout with much opportunity for rubato phrasing. Moderate ranges in all voice parts in both...
A thoughtful song of parting, benediction-like, in the style of an Irish blessing. Basic choral writing throughout with much opportunity for rubato phrasing. Moderate ranges in all voice parts in both...
- Gemischter Chor (SATB)
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- Alfred Publishing
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