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Setting the text of Thomas Allain (after Song of Songs), this work is scored for unaccompanied SATB choir. A perfect anthem for a wedding ceremony.

Scored for unaccompanied SSATB and SATB choirs, this works was commissioned by Westminster School, London.

Commissioned by Peter Adamson, this work for cello and SATB choir setting the well-loved text by William Blake was first performed 8th April 2022 by St Salvator’s Chapel Choir, directed Claire Innes-H...

Setting the text of Richard's brother, Thomas, Music, scored for unaccompanied SSATBB choir, was commissioned by Judith Godsland for Commotio's 20th Anniversary Concert in September 2019.

Commissioned by The Revd Dr Jonathan Holmes and Queens' College, Cambridge for Suzi Digby OBE. First performed on 21 November 2021 in Queens' College Chapel, conducted by Ralph Allwood.

A four-minute a cappella choral work for mixed voice choir, commissioned by Côr Caerdydd in celebration of their 30th birthday, with a text in Welsh by Tudur Dylan.

An arrangement of Mealor's choral work of the same title for Apollo5. Scored for SATTB. A setting of a Greek Prayer from 250 AD.

Setting an original text by Grahame Davies this three and a half minute choral work was composed for Apollo5, the Ozark Festival Singers and High Point University Chamber Singers, North Carolina.

Scenes in America Deserta was originally commissioned by the King’s Singers who gave the first performance in Houston, Texas in 1987. This version is for SSATTB.

Paul Mealors "In primim non nocere" ist ein fünfminütiges Werk für SATB divisi, das Lord und Lady Chadlington gewidmet ist und von den ORA-Sängern im Juni 2024 uraufgeführt wurde. Der Text stammt von...

Auszug aus The Wonders We Seek Without Us, in Auftrag gegeben vom Master, den Fellows und den Scholars des Pembroke College, Oxford, anlässlich der Vierhundertjahrfeier des College im Jahr 2024. Gewid...

Version for ATTB Choir A Cappella. Piano reduction provided for rehearsal purposes.

English composer Gustav Theodore Holst, most famous for his orchestral suite The Planets, had a style many of his contemporaries, even admirers, found austere and cerebral. Love Is Enough is a four-p...

For SATB Choir (Mixed Voices) A Cappella. Text: Robert Herrick

The most famous of all 15th Century Italian madrigals is brought to life in this new Russell Robinson edition from our Developing SATB Repertoire series. Both English and Italian texts are included.

The most famous of all 15th Century Italian madrigals is brought to life in this new Russell Robinson edition from our Developing SATB Repertoire series. Both English and Italian texts are included.

The most famous of all 15th Century Italian madrigals is brought to life in this new Russell Robinson edition from our Developing SATB Repertoire series. Both English and Italian texts are included.

The most famous of all 15th Century Italian madrigals is brought to life in this new Russell Robinson edition from our Developing SATB Repertoire series. Both English and Italian texts are included.

For SSSATB unaccompanied or with guitar. This moving rendition of Pachelbel's Canon sets the 'Requiescat' from Oscar Wilde's 'Rosa Mystica' (1890). Chilcott displays his sensitivity as a vocal arrange...

For SATB unaccompanied. In Brahms's masterful versions of German folksongs the elegant simplicity of the originals is always maintained. He weaves well-shaped vocal lines and adds delicate harmonies t...

for unaccompanied SATB Weep you no more, sad fountains is a modern take on the Elizabethan lute-song, integrating the characteristic alternations of minor and major, fondness for cross-relations, and...

For unaccompanied SATB to words by Tennyson.

This is an exuberant setting of Psalm 95. A memorable rhythmic pattern is established by the organ toccata as it alternates between 4/4 and 7/8 for the outer sections of the anthem. The inner section...

Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes, the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke'...