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Blue-Green Hill by Judith Weir was commissioned by Boston Musica Viva (Richard Pittman, Music Director), with support from the Ernst von Siemens Foundation for Music and members of the Boston Musica V...

Blue-Green Hill by Judith Weir was commissioned by Boston Musica Viva (Richard Pittman, Music Director), with support from the Ernst von Siemens Foundation for Music and members of the Boston Musica V...

Kaija Saariahos 2015 entstandene Oper Only The Sound Remains wurde von der Niederländischen Nationaloper, der Finnischen Nationaloper, der Opera de Paris, dem Teatro Real Madrid und der Canadian Opera...

Finnish composer Kaija Saariaho's Bosun's Cheer, composed in 2014. Included here are the score and parts for the Modern Instrument Version, arranged for a speaker, Flute, Cello and Double Bass. Born...

Finnish composer Kaija Saariaho's Bosun's Cheer, composed in 2014. Included here are the score and parts for the Period Instrument Version, arranged for a speaker, Violin, Cello and Double Bass. Born...

The score and parts for Judith Weir 's O Viridissima, scored for Violin, Cello and Piano. The work lasts around 4 minutes, and was written as a gift for the Late Music Concert Series, being first perf...

This is the score for Judith Weir 's Praise Him With Trumpets, a work for 2 Trumpets, SATB Choir and Organ. Commissioned by Historic Royal Palaces in collaboration with The Choral Foundation, the piec...

Commissioned by Wigmore Hall, with the support of Andre Hoffmann, president of the Foundation Hoffmann, a Swiss grant-making foundation. First performance on 29th March 2016 at the Wigmore Hall, Londo...

Commissioned by Wigmore Hall, with the support of Andre Hoffmann, president of the Foundation Hoffmann, a Swiss grant-making foundation. First performance on 29th March 2016 at the Wigmore Hall, Londo...

Setting the texts of Robert Herrick, this work for Countertenor and Viol Consort was commissioned by Paulin Bündgen - Ensemble Céladon, Grame, cncm and Centre culturel de rencontre d'Ambronay. Score a...

The Sweet Primroses is a work by Judith Weir for Mezzo-Soprano Voice and Viola. Commissioned by the University of Birmingham for the CrossCurrents Festival 2016, the first performance was in February...

El Chan is a work by Bryce Dessner for Piano Quartet. Commissioned by Britten Sinfonia and Wigmore Hall, the piece was composed as a gift for the Academy Award winning director Alejandro González Iñár...

A Few Words Of Thanks is a work by Judith Weir for Flute, Oboe, Clarinet, Viola and Cello. This is the Score/Parts, and a full performance lasts around 1. 5 minutes.

Michael Nyman 's 'Viola And Piano', composed in 2009. This version was revised in 2014 and is scored for Flute, Clarinet, Piano, Violin and Cello.

Composed for the Schubert Ensemble's farewell tour and modelled on 'Abschied' from Schubert's Schwanengesang, this four-minute piece gives each player a brief solo before the work's close. A light-hea...

Composed for the Schubert Ensemble's farewell tour and modelled on 'Abschied' from Schubert's Schwanengesang, this four-minute piece gives each player a brief solo before the work's close. A light-hea...

A setting of four poems by Wallace Stevens, Kathleen Jamie, Norman MacCaig and Emily Dickinson for soprano, cello and piano. commissioned by Kings Place, and first performed there on 24th October 2019...

A work for soprano, flute, guitar and pre-recorded electronics. The first performance was given on 5 August 2010 at the Skálholt Summer Concerts, Iceland, by Tiffany DuMouchelle (soprano), Berglind Ma...

Changing Light was written for Edna Michell's Compassion project. In the composition the composer follows the idea of a dialogue, suggested by the text from Rabbi Jules Harlow. The intimate nature and...

This arrangement of Prospero's Vision, for tenor and string quartet, was first performed in August 2019 during the Creative Dialogue Workshop at the SIbelius Academy, Helsinki, Finland. The text is fr...

This work for soprano and string quartet was premiered at the Oxford University Museum of Natural History on the 18th November 2019 by Carola Darwin and the Gildas Quartet. Commissioned by Carola Darw...

This work for soprano and string quartet was premiered at the Oxford University Museum of Natural History on the 18th November 2019 by Carola Darwin and the Gildas Quartet. Commissioned by Carola Darw...

'Tom O'Bedlam' is one of the best known examples of c.17th mad-song poetry. Part saga, part stream-of-consciousness, in this operatic 'ayre' Tom recounts his descent to madness by virtue of his libidi...

'Tom O'Bedlam' is one of the best known examples of c.17th mad-song poetry. Part saga, part stream-of-consciousness, in this operatic 'ayre' Tom recounts his descent to madness by virtue of his libidi...

Commissioned by Fenella Humphreys with funding from The Marchus Trust First performed by Fenella Humphreys (violin), Ben Griffiths (double bass), Murray Grainger (accordion) and George Barton (percuss...