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For String Orchestra (8, 8, 4, 4, 4), most of Fantasia on a Ground was composed for the Music School at Rivers, in Weston, Massachusetts. Duration: ca. 6 minutes.

Arguably America's most notable art song, Samuel Barber's masterwork has been brilliantly arranged in this edition for strings by John Moss. Written for voice in 1938 and based on text by noted poet J...

This famous aria pays homage to Johann Sebastian Bach and remains one of the most popular of Villa-Lobos' works, originally written for solo soprano and eight celli. Jamin Hoffman's setting for string...

Full Score.

Although in its own way an example of 'continuous' music, Shaker Loops differs from most other works of its kind because it sees so much change within a relatively short amount of time. Also it avoids...

Score/Parts 8-8-4-4-4

The contemporary music of Paul Creston continues to be important repertoire, particularly his famous concerti for marimba and saxophone. Robert has adapted Creston's only piano work, this delightfully...

The contemporary music of Paul Creston continues to be important repertoire, particularly his famous concerti for marimba and saxophone. Robert has adapted Creston's only piano work, this delightfully...

From the composer: Soliloquy was written in memory of my father, who died on September 1, 1975. He had been a concertmaster of the New York Philharmonic for 23 years, and I still find it hard to think...

Riggio - Grades 2-3

Includes: Sinfonia, Glory to God, Pastoral Symphony, He Shall Feed His Flock, and Hallelujah.

This moving piece for string orchestra is full of pathos and emotion. Stylistically evocative of Samuel Barber's Adagio for Strings and the distinctive musical language of Arvo Pärt, Lament is based a...

Seit der Antike, von der Renaissance über Barock bis zur Gegenwart bewegt die Sage vom fabelhaften Reich der Frauen am Schwarzen Meer die Fantasie der Menschheit und findet seit Jahrhunderten ihren Au...

Nils-Eric Foustedt's bright and playful three-movement suite for string orchestra was composed in 1953.

Details: Sprecher, Koto, Martenot-Wellen und Streichorchester (3-3-2-2-1)

Details: Sextett, Septett oder Streichorchester

Das Konzert eigenet sich hervorragend zum Einstieg in barocke Konzerte. Stilistisch ähnelt es den Konzerten Vivaldis, ist aber technisch nicht so anspruchsvoll wie diese 1. Allegro non molto 2. Adagio...