Klassische Musik der Moderne Noten für Streichorchester

Jamin Hoffmans mittelschwere Bearbeitung von Beethovens Scherzo aus der Sinfonie Nr. 2 enthält neben der Partitur folgende Stimmen: Violine 1 (8), Violine 2 (8), Violine 3 (4), Viola (4), Cello (4), K...

Featuring quartet options within the ensemble and inventive variations, Grand Dances is a superb teaching piece in the Renaissance and Baroque style, carefully crafted for student groups by veteran ar...

Featuring quartet options within the ensemble and inventive variations, Grand Dances is a superb teaching piece in the Renaissance and Baroque style, carefully crafted for student groups by veteran ar...

Featuring quartet options within the ensemble and inventive variations, Grand Dances is a superb teaching piece in the Renaissance and Baroque style, carefully crafted for student groups by veteran ar...

Featuring quartet options within the ensemble and inventive variations, Grand Dances is a superb teaching piece in the Renaissance and Baroque style, carefully crafted for student groups by veteran ar...

Featuring quartet options within the ensemble and inventive variations, Grand Dances is a superb teaching piece in the Renaissance and Baroque style, carefully crafted for student groups by veteran ar...

Featuring quartet options within the ensemble and inventive variations, Grand Dances is a superb teaching piece in the Renaissance and Baroque style, carefully crafted for student groups by veteran ar...

Featuring quartet options within the ensemble and inventive variations, Grand Dances is a superb teaching piece in the Renaissance and Baroque style, carefully crafted for student groups by veteran ar...

Ein wunderbares Medley von Larry Moore mit bekannten Themen aus Wolfgang Amadeus Mozarts Klavierkonzerten Nr. 20 und 22, seinem Requiem sowie der Sinfonie Nr. 25 in g-Moll.

Ein wunderbares Medley von Larry Moore mit bekannten Themen aus Wolfgang Amadeus Mozarts Klavierkonzerten Nr. 20 und 22, seinem Requiem sowie der Sinfonie Nr. 25 in g-Moll.

Ein wunderbares Medley von Larry Moore mit bekannten Themen aus Wolfgang Amadeus Mozarts Klavierkonzerten Nr. 20 und 22, seinem Requiem sowie der Sinfonie Nr. 25 in g-Moll.

Ein wunderbares Medley von Larry Moore mit bekannten Themen aus Wolfgang Amadeus Mozarts Klavierkonzerten Nr. 20 und 22, seinem Requiem sowie der Sinfonie Nr. 25 in g-Moll.

Ein wunderbares Medley von Larry Moore mit bekannten Themen aus Wolfgang Amadeus Mozarts Klavierkonzerten Nr. 20 und 22, seinem Requiem sowie der Sinfonie Nr. 25 in g-Moll.

Ein wunderbares Medley von Larry Moore mit bekannten Themen aus Wolfgang Amadeus Mozarts Klavierkonzerten Nr. 20 und 22, seinem Requiem sowie der Sinfonie Nr. 25 in g-Moll.

Ein wunderbares Medley von Larry Moore mit bekannten Themen aus Wolfgang Amadeus Mozarts Klavierkonzerten Nr. 20 und 22, seinem Requiem sowie der Sinfonie Nr. 25 in g-Moll.

Written in 1768 when he was just 12 years old, Mozart's first opera was a marvel to many, but suspect to others (jealous composers) who claimed it was actually written by his mentoring father, Leopold...

Written in 1768 when he was just 12 years old, Mozart's first opera was a marvel to many, but suspect to others (jealous composers) who claimed it was actually written by his mentoring father, Leopold...

Written in 1768 when he was just 12 years old, Mozart's first opera was a marvel to many, but suspect to others (jealous composers) who claimed it was actually written by his mentoring father, Leopold...

Written in 1768 when he was just 12 years old, Mozart's first opera was a marvel to many, but suspect to others (jealous composers) who claimed it was actually written by his mentoring father, Leopold...

Written in 1768 when he was just 12 years old, Mozart's first opera was a marvel to many, but suspect to others (jealous composers) who claimed it was actually written by his mentoring father, Leopold...

Written in 1768 when he was just 12 years old, Mozart's first opera was a marvel to many, but suspect to others (jealous composers) who claimed it was actually written by his mentoring father, Leopold...

Written in 1768 when he was just 12 years old, Mozart's first opera was a marvel to many, but suspect to others (jealous composers) who claimed it was actually written by his mentoring father, Leopold...

Written in 1768 when he was just 12 years old, Mozart's first opera was a marvel to many, but suspect to others (jealous composers) who claimed it was actually written by his mentoring father, Leopold...

From the Renaissance, John Leavitt brings this terrific ensemble work that is filled with teaching opportunities and performance options. In G major, it features a bit of chromaticism, just right for...

From the Renaissance, John Leavitt brings this terrific ensemble work that is filled with teaching opportunities and performance options. In G major, it features a bit of chromaticism, just right for...