Klassische Musik der Moderne Noten für gemischten Chor

This is one of Clarke's many pieces on love, and one of the best. It combines the English modality of earlier times with foretastes of the adventurous chromaticism of her later work. It is a lovely pi...

This is an appropriately aching setting of Sir Philip Sidney's poem of unending desire and longing. There are gorgeous chromatics and enharmonics and a masterful use of a triplet pattern which becomes...

Weep you no more, sad fountains is a modern take on the Elizabethan lute-song, integrating the characteristic alternations of minor and major, fondness for cross-relations, and vivid word-painting. Th...

Music, when soft voices die combines aspects of nineteenth-century English pastoral style with some of the tonal adventurousness of Vaughan Williams's Shakespeare settings. This is an exceptionally be...

This beautiful arrangement of the 17th-century lullaby features subtle jazz inflections and artful imitation. The text seeks to create a calm and comforting atmosphere for sleep, which Parry emulates...

In this sensitive choral arrangement of 'Nimrod' from Elgar's Enigma Variations, Michael Higgins sets the Eucharistic hymn 'O salutaris Hostia', written by St Thomas Aquinas for the Feast of Corpus Ch...

Für einen katholischen Bretonen wie Jean Cras war es nur allzu natürlich, eine Messe zu schreiben. Die Wahl dieser "ganz besonderen Gattung", einer A-cappella-Messe, war das Ergebnis seines besonderen...

SSATBB soli, 2xSATB chorus and orchestra

Marc-Antoine Charpentier: Mors Saulis (Choral)

SSABB soli, SATB chorus and orchestra

This full- sounding choral work with a driving, rhythmic intensity may be performed a cappella or with the piano doubling the voices. ABA form makes for quick learning. Secular text is perfect for sch...

This full- sounding choral work with a driving, rhythmic intensity may be performed a cappella or with the piano doubling the voices. ABA form makes for quick learning. Secular text is perfect for sch...

This full- sounding choral work with a driving, rhythmic intensity may be performed a cappella or with the piano doubling the voices. ABA form makes for quick learning. Secular text is perfect for sch...

A thoughtful song of parting, benediction-like, in the style of an Irish blessing. Basic choral writing throughout with much opportunity for rubato phrasing. Moderate ranges in all voice parts in both...

A thoughtful song of parting, benediction-like, in the style of an Irish blessing. Basic choral writing throughout with much opportunity for rubato phrasing. Moderate ranges in all voice parts in both...

A thoughtful song of parting, benediction-like, in the style of an Irish blessing. Basic choral writing throughout with much opportunity for rubato phrasing. Moderate ranges in all voice parts in both...

A thoughtful song of parting, benediction-like, in the style of an Irish blessing. Basic choral writing throughout with much opportunity for rubato phrasing. Moderate ranges in all voice parts in both...

It's an original spiritual with a touch of the traditional I Want to Be Ready. It's fresh and singable, with solid part writing. And just when you think the exciting original melody is about to end, t...

It's an original spiritual with a touch of the traditional I Want to Be Ready. It's fresh and singable, with solid part writing. And just when you think the exciting original melody is about to end, t...

For the first time in over 100 years, this choral classic is now available in an easy-to-read octavo format for the vocalist. This brilliant edition includes German text with singable English translat...

It's a cappella exuberance at its best in this original spiritual by the dynamic writing team of Sally K. Albrecht and Jay Althouse. Featuring a rousing vocal solo, a sensational descant over its fina...

Written expressly for 3-part mixed choirs, this a cappella festival song, featuring consonant homophony and simple polyphony, really gets the job done. Sally K. Albrecht knows how to make your develop...