Klassische Musik der Moderne Noten für gemischten Chor

When spring comes walking is a warm and optimistic setting of an evocative poem by Charles Bennett that explores themes of rebirth, nature, and celebration. Chilcott embraces the return of spring with...

Tarney's setting of this traditional Scottish text offers catchy melodies and folk-inspired harmonies, driven by a rhythmic piano accompaniment. The ballad is framed by a repeating, haunting, and ethe...

This setting of A Spotless Rose reflects the wintry starkness of the fifteenth-century text through its minor key and bare upper-voice opening, while the warmth of the full voicing on the words 'light...

McGlade's setting of 'The Call' by George Herbert is simple but effective, reflecting the directness of the original poem. The three-bar phrases create a feeling of expectancy throughout the verses, a...

McGlade's setting of 'The Call' by George Herbert is simple but effective, reflecting the directness of the original poem. The three-bar phrases create a feeling of expectancy throughout the verses, a...

This moving rendition of Pachelbel's Canon sets the 'Requiescat' from Oscar Wilde's 'Rosa Mystica' (1890). Chilcott displays his sensitivity as a vocal arranger, exploiting the richness of the SSSATB...

This setting of Orlando Gibbons and Catullus is a re-working of Gibbons's celebrated seventeenth-century madrigal (of the same title) for five voices. It retains the lilting depiction of the swan and...

Gregorio Allegris weltberühmtes Meisterwerk „Miserere“ gehört zu den ergreifendsten und mystischsten Vokalkompositionen der Musikgeschichte. Mit seinen schwebenden, überirdischen Soprantönen und den t...

This atmospheric setting of the celebrated poem 'April Rain Song' by (the Harlem Renaissance writer) Langston Hughes captures the sense of comfort and security while listening to rainfall. The ebb and...

Taken at a slow processional tempo this work has a predominantly canonic texture. The syncopated passages are at once sombre and sensual, and the balancing homphonic phrases achieve real power. A shor...

This is one of Clarke's many pieces on love, and one of the best. It combines the English modality of earlier times with foretastes of the adventurous chromaticism of her later work. It is a lovely pi...

This is an appropriately aching setting of Sir Philip Sidney's poem of unending desire and longing. There are gorgeous chromatics and enharmonics and a masterful use of a triplet pattern which becomes...

Weep you no more, sad fountains is a modern take on the Elizabethan lute-song, integrating the characteristic alternations of minor and major, fondness for cross-relations, and vivid word-painting. Th...

Music, when soft voices die combines aspects of nineteenth-century English pastoral style with some of the tonal adventurousness of Vaughan Williams's Shakespeare settings. This is an exceptionally be...

This beautiful arrangement of the 17th-century lullaby features subtle jazz inflections and artful imitation. The text seeks to create a calm and comforting atmosphere for sleep, which Parry emulates...

In this sensitive choral arrangement of 'Nimrod' from Elgar's Enigma Variations, Michael Higgins sets the Eucharistic hymn 'O salutaris Hostia', written by St Thomas Aquinas for the Feast of Corpus Ch...

Für einen katholischen Bretonen wie Jean Cras war es nur allzu natürlich, eine Messe zu schreiben. Die Wahl dieser "ganz besonderen Gattung", einer A-cappella-Messe, war das Ergebnis seines besonderen...

No. 2 from 'Répertoire folklorique' (MzTB chorus)

No. 12 from 'Répertoire folklorique' (MzTB chorus)

Noël provençal (SAB chorus)

SATB soli, SATB chorus and orchestra.

[éd. Co] (28') (Rest. G. Lambert)

Charpentier Dialogus Inter Angelos Et Pastores Judaee Satb A Cappella