Klassische Musik der Romantik Noten für Orchester

LE NOZZE DI FIGARO (DIE VERHEIRATUNG DES FIGARO) basiert auf LA FOLLE JOURNEE OU LE MARIAGE DE FIGARO (1784), einem komischen Stück von Pierre Beaumarchais. Lorenzo Da Ponte, der auch mit Mozart an DO...

LE NOZZE DI FIGARO (DIE VERHEIRATUNG DES FIGARO) basiert auf LA FOLLE JOURNEE OU LE MARIAGE DE FIGARO (1784), einem komischen Stück von Pierre Beaumarchais. Lorenzo Da Ponte, der auch mit Mozart an DO...

Perhaps the best-known music from Giuseppe Verdi's (1813-1901) 4 Act opera Il Trovatore, the Coro di Zingari (Chorus of the Gypsies), or "Anvil Chorus," from the beginning of the Act 2 depicts Spanish...

Perhaps the best-known music from Giuseppe Verdi's (1813-1901) 4 Act opera Il Trovatore, the Coro di Zingari (Chorus of the Gypsies), or "Anvil Chorus," from the beginning of the Act 2 depicts Spanish...

Perhaps the best-known music from Giuseppe Verdi's (1813-1901) 4 Act opera Il Trovatore, the Coro di Zingari (Chorus of the Gypsies), or "Anvil Chorus," from the beginning of the Act 2 depicts Spanish...

Performed in the first act of Giuseppe Verdi's (1813-1901) opera, LA TRAVIATA, this famous duet is sung by the characters Violetta and Alfredo Germont, the young man who loves her, at a late-night par...

Performed in the first act of Giuseppe Verdi's (1813-1901) opera, LA TRAVIATA, this famous duet is sung by the characters Violetta and Alfredo Germont, the young man who loves her, at a late-night par...

Wolfgang Amadeus Mozart's (1756-1791) singspiel Die Zauberflöte (The Magic Flute), K. 620, was written in 1791 and premiered on September 30th of that same year at the Freihaus-Theater auf der Wieden,...

Wolfgang Amadeus Mozart's (1756-1791) singspiel Die Zauberflöte (The Magic Flute), K. 620, was written in 1791 and premiered on September 30th of that same year at the Freihaus-Theater auf der Wieden,...

La Clemenza di Tito (The Clemency of Titus), K. 621 was written by Wolfgang Amadeus Mozart (1756-1791) in 1791 after he had almost finished Die Zauberflöte (The Magic Flute). Commissioned to celebrate...

La Clemenza di Tito (The Clemency of Titus), K. 621 was written by Wolfgang Amadeus Mozart (1756-1791) in 1791 after he had almost finished Die Zauberflöte (The Magic Flute). Commissioned to celebrate...

TANNHÄUSER, an 1845 opera in three acts by Richard Wagner (1813-1883), combines two German legends: the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. Li...

TANNHÄUSER, an 1845 opera in three acts by Richard Wagner (1813-1883), combines two German legends: the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. Li...

TANNHÄUSER, an 1845 opera in three acts by Richard Wagner (1813-1883), combines two German legends: the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. Li...

Norma is a two-act lyric tragedy by Vincenzo Bellini (1801-1835). A leading example of the bel canto genre, the opera premiered at La Scala in Milan on December 26th, 1831. The story tells of a love t...

Norma is a two-act lyric tragedy by Vincenzo Bellini (1801-1835). A leading example of the bel canto genre, the opera premiered at La Scala in Milan on December 26th, 1831. The story tells of a love t...

MADAMA BUTTERFLY, one of the most popular operas of Giacomo Puccini (1858-1924), is the story of the conflicting expectations of Lieutenant Pinkerton, an American naval officer, and Madame Butterfly (...

MADAMA BUTTERFLY, one of the most popular operas of Giacomo Puccini (1858-1924), is the story of the conflicting expectations of Lieutenant Pinkerton, an American naval officer, and Madame Butterfly (...

IL MATRIMONIO SEGRETO (DIE GEHEIME EHE) von Domenico Cimarosa (1749-1801) ist sein einziges Werk, das heute noch regelmäßig aufgeführt wird, und zählt wohl zu den größten Opera buffa des 18. Jahrhunde...

IL MATRIMONIO SEGRETO (THE SECRET MARRIAGE) by Domenico Cimarosa (1749-1801) is his only work still to be regularly performed today and arguably among the greatest 18th century opera buffa. The dramma...

Composed by Vincenzo Bellini (1801-1835) in 1830, the two-act opera I Capuletti e i Montecchi (The Capulets and the Mantagues) stands as one of only two successful opera adaptations of Shakespeare's R...

Gioacchino Rossini's (1792-1868) last comic opera LE COMTE ORY, set in rural France at the time of the Crusades, tells the story of Count Ory, who attempts to seduce a Countess Adèle as she awaits the...

Gioacchino Rossini's (1792-1868) last comic opera LE COMTE ORY, set in rural France at the time of the Crusades, tells the story of Count Ory, who attempts to seduce a Countess Adèle as she awaits the...

MANON, written by Jules Massenet (1842-1912) was composed in 1883 and premiered the following year on January 19 at the Opéra-Comique. Telling the story of a young woman who, despite being a good pers...

MADAMA BUTTERFLY, one of the most popular operas of Giacomo Puccini (1858-1924), is the story of the conflicting expectations of Lieutenant Pinkerton, an American naval officer, and Madame Butterfly (...