Klavierauszüge

Die Kantate 'Christus, der himmlische Phönix' ist - soweit ich weiß - bislang die einzige Kantate, deren Text thematisch auf alchemistische Symbole Bezug nimmt. Die Komposition wurde angeregt durch de...

Die Kantate "Christus, der himmlische Phönix" ist – soweit ich weiß – bislang die einzige Kantate, deren Text thematisch auf alchemistische Symbole Bezug nimmt. Die Komposition wurde angeregt durch de...

A stunningly beautiful and very moving setting by Paul Carr of the 'Ave Verum Corpus' for mixed voice choir, soprano saxophone and accompaniment of either string orchestra or organ. It was commissione...

A beautiful new setting of 'O Magnum Mysterium' for mixed voice choir (SATB) and oboe, harp and string orchestra. The Vocal Score contains a piano reduction for rehearsal purposes, the Full Score and...

One of Berlioz's greatest works, the Grand Messe des Morts is written for Tenor Solo, SSTTBB Chorus and Orchestra. The scale of this work should not be underestimated: it runs at an hour and a quarter...

This is the Schirmer edition of the Vocal Score for Verdi's Messa Di Requiem for four solo voices and full chorus.

Felix Mendelssohn's Come, Let Us Sing Op. 46 is a setting of the 95th Psalm, and available here is the vocal score for Tenor solo, SATB Chorus and Piano reduction.

Edited and arranged by Joseph Barnby for Soprano, Tenor and Bass Soli and Full Chorus of Mixed Voices with Piano or Organ accompaniment.

An Oratorio based on the story of Judas Maccabaeus's election as the leader of the Jewish People after the death of his father Mattathias and the subsequent wars that ended in the rededication of the...

The scale of Berlioz's choral settings broke new boundaries in Orchestration and musical forces. The work is written for triple SATB chorus with Tenor soloist. This vocal score edition features a Pian...

Bach's sacred cantata No. 140: Sleeper's Wake, a rousing work for SATB Chorus with Piano Accompaniment. English translation by Henry Drinker.

This Mass, composed in 1815 but not published until 1846, has great depth whilst also being lyrical and climactic. It was originally set for Soprano, Tenor and Bass Soli, SATB Chorus, Strings and Orga...

A Sacred Cantata for Solo Voice (Soprano, Tenor or Baritone) and SATB Choir with Organ. Text freely adapted from St. Luke.

Originally a purely orchestral work incorporated into Lenten services, The Seven Last Words of Christ (each 'word' is actually a full sentence) consists of a slow introduction; seven slow, meditative...

A Sacred Cantata for Solo Voices, Mixed Chorus and Piano or Organ Accompaniment.

This mass, known as the Theresienmesse, was the fourth of six masses which Handel had been commissioned to write by Prince Nicolaus II in celebration of the name day of his wife, Princess Maria Hermen...

For Soprano, Baritone, Chorus and Ensemble.

Similar in concept to Joel Raney's wildly successful piano and organ duets with optional choral introits, this is the first in a series of worship openers for solo piano plus choir. Perfect for church...

Johann Sebastian Bach's (1685-1750) composed his chorale CANTATA No. 140, WACHET AUF, RUFT UNS DIE STIMME (Awake, calls the voice to us), BWV 140, also known as SLEEPERS AWAKE, for the 27th Sunday aft...

A choral worship cantata for SATB or SSAATTBB (SATB) composed by Johann Sebastian Bach.

A choral worship cantata for SATB or SSAATTBB (SATB) composed by Johann Sebastian Bach.

Mendelssohn's famous oratorio, "Elijah," was written in 1846 and depicts various events in the life of the Biblical prophet Elijah, taken from the books 1 Kings and 2 Kings in the Old Testament. The w...

Handel composed the oratorio "Solomon" in just over a month's time in 1748. This is an abridged edition containing only those numbers from the oratorio that are usually performed. Vocal score and pian...