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Gustav Holst's There Was A Tree for SATB choir with Piano accompaniment.

Matthew, Mark, Luke And John is a West Country folk song, arranged for SATB chorus by Gustav Holst. It was published as part of a collection of six such arrangements in 1916, forming the composer's op...

Work for Chorus and Orchestra dating from 1926.

Work for Chorus and Orchestra.

This is the piano reduction for Gemmer Hvert Et Ord - Cantata for Choir, Organ and Regiment Orchestra by Anders Koppel (1999).

Old Novello Edition, edited by Edward Elgar and Ivor Atkins.

For SATB Choir Percussion, Piano and Strings.

Edited by W. T. Best, this vocal score of Mozart's famous final work contains Latin text.

For SATB soli, SATB chorus and orchestra, with English words adapted by William Bell. Vocal score with piano accompaniment. Latin and English text.

A musical drama based on the story of Judas Iscariot, for church production. Scored for two Tenor soli, five speakers, SATB Chorus and orchestra.

Cycle of nature poems setting the text of Blake, Hardy and Clare. For Solo Contralto, SATB Chorus, and Orchestra.

Transcendental sequence Sobre un éxtasis de alta contemplación (Verses written after an ecstasy of high exultation), is a setting of the poem by St John of the Cross. Commissioned by Richard Marlow, f...

Howells' 1955 Mass for Chorus, Strings and Organ. Vocal score with keyboard reduction. An English Mass is a concert setting of the ordinary of the Mass in the English translation. Although it conclude...

Composed for the Bach choir and dedicated to the memory of Ralph Vaughan Williams. For Tenor solo, SATB chorus with Piano reduction. Full Score available: NOV293777

Written in 1982 and first performed by the BBC Singers at St Albans Church, Holborn, London, Hymn Before Sunrise In The Vale Of Chamouni is based upon texts by Samuel Taylor Coleridge and Percy Shelle...

Vocal Score for this work for Soprano and Tenor Soloists, SATB chorus and Orchestra. With Piano Reduction of Orchestral Score.

Work for SATB Chorus and Orchestra. Revised by Colin Matthews in 1973 in consultation with Imogen Holst. Words by Walt Whitman.