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A selection of seven songs from the chamber opera The Okavango Macbeth - Macbeth with baboons! - with music by Tom Cunningham and words by Alexander McCall Smith. This album for solo voice and piano w...

Poems by Alexander McCall Smith on the four seasons from a Scottish point of view, set to music by Tom Cunningham. Spring (Range: Eb-F), Summer (Range: D-E), Autumn (Range: E-E), Winter (Range: C-F)....

Nine songs - music by Philip Lane set to texts by William Shakespeare. These songs have been adapted from Philip Lane's 'Four Shakespeare Lyrics' and 'Five Shakespeare Lyrics' originally composed for...

Nine songs - music by Philip Lane set to texts by William Shakespeare. These songs have been adapted from Philip Lane's 'Four Shakespeare Lyrics' and 'Five Shakespeare Lyrics' originally composed for...

A set of five amusing songs for either unison voices or a solo voice, with piano accompaniment, about the 'Tartan Terrors'. Words by Derek Roberts set to music by Tom Cunningham. Commissioned by the N...

Three songs of love with gorgeous music by Paul Carr for solo voice and piano. 'Devotion (Fain would I change that note To which fond Love hath charm'd me.....)' [Anonymous 1605] Range: C to G (opt E)...

The song-cycle 'Care-Charmer Sleep' was written, with funds from the Ralph Vaughan Williams Trust, for Alison Mary Sutton, who was accompanied by Alan Hazeldine, in its first performance in the Purcel...

This song originally written for Paul's brother, Gavin Carr, became one of the movements in Paul's 'Requiem for an Angel'. Here it is in the original form (Range: Bb - Eb). It is suitable for male or...

Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Cape...

Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Cape...

Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Cape...

Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Cape...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

Reger's 'Virgin Slumber Song' arranged for a medium high voice in F.

Contents: Ah, Sweet As Any Flower - Blondel's Song - By Moonlight - Clown's Song - Dear Love, Lay Thy Hand - Dedication (Lita Ford) - E'er When I Hear Them Singing - Earliest Green - EveningSong - Far...

Contents: Bononcini: Deh piu a me non v'ascondete - Caldara: Come raggio di sol - Sebben crudele - Selve amiche - Carissimi: Vittoria, vittoria! - Cesti: Intorno all'idol mio - Gluck: O del miodolce a...

82 Schubert Songs for High Voice and Piano accompaniment. English translations by Theodore Baker. Complete edition in four parts. Part 1: Die Schone Mullerin, Part 2: Winterreise; Part 3: Schwanengesa...

A collection of favorite Schubert songs arranged for low voice with piano accompaniment. German/English song text. English translation by Theodore Baker.

Edited with introduction, translation and notes by John Glenn Paton.

Original and unedited version for Medium Voice and Piano in A flat major.

Version for Medium Voice and Piano in the key of D major.

Version for High Voice and Piano.