Konzertarien Noten

Dark Inventions was commissioned by the New Chamber Players with funds provided by Southern Arts. The first performance was given in the Holywell Music Rooms, Oxford, during the Queens college Contemp...

Libretto for the Opera in Two Acts. Scored for SATB Soli, SATB Chorus and Orchestra. Commissioned by English national Opera with funds from the Arts Council. Text: Judith Weir after Ludwig Tieck.

Für Sopran und Orchester. Die Vokalpartitur zur Wahnsinnsszene aus Bells Oper A Harlot's Progress von 2013. Diese Szene zeigt den geistigen und emotionalen Abstieg von Moll Hackabout, die sich im Ends...

Three previously unpublished songs, setting Guillaume Apollinaire's short poems from Le Bestiaire, not included in Poulenc's original set of six from 1918.

Scenes from the Wild is a Song Cycle for Tenor and Chamber Orchestra, based on the book by Dara McAnulty: Diary of a Young Naturalist. The diary, March 2018-19, begins with an echo of Dara's early mem...

Subtitled 'after Clara Schumann Op. 13 No. 2', Helen Grime reinvents the 19th century composer's setting of Heine's text into a striking original style.

Three baritone songs taken from the composer's cantata 'Héloïse and Abelard', and the opera 'The Three Strangers'. Specially arranged for baritone and piano by the composer for Brian Raynor Cook.

The composer writes: 'Simon Littlefield wrote the poem Sun stands still in June 2020. On reading it I could immediately see it working well as a song for treble and piano. I recorded a guide vocal and...

Come Away, Death für Tenor und Orchester ist eine Bearbeitung eines Satzes aus dem Liederzyklus These Motley Fools von Iain Bell.

Kaija Saariahos erstes Bühnenwerk wurde 1981 an der Sibelius-Akademie uraufgeführt und erst 2022 wieder gespielt, als die Komponistin das Werk rekonstruierte, einschließlich des verloren gegangenen Or...