Konzertmärsche für Blasorchester
The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The song ' The sun, whose rays are all ablaze' is sung by Yum-yum at the...
The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The song ' The sun, whose rays are all ablaze' is sung by Yum-yum at the...
- Blasorchester (Solo/Feature: Gesang (hoch))
- Partitur und Stimmen
- Roger Niese
- Baton Music
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The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The Trio Three little maids from school is sung in the first act by Yum-...
The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The Trio Three little maids from school is sung in the first act by Yum-...
- Blasorchester
- Partitur und Stimmen
- Roger Niese
- Baton Music
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Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The overture is firmly in the tradition established by Rossini and ev...
Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The overture is firmly in the tradition established by Rossini and ev...
- Blasorchester
- Partitur und Stimmen
- Roger Niese
- Baton Music
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Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The overture is firmly in the tradition established by Rossini and ev...
Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The overture is firmly in the tradition established by Rossini and ev...
- Blasorchester
- Partitur
- Roger Niese
- Baton Music
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As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
- Blasorchester (Solo/Feature: Gesang (hoch))
- Partitur und Stimmen
- Roger Niese
- Baton Music
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As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
- Blasorchester (Solo/Feature: Gesang (hoch))
- Partitur und Stimmen
- Roger Niese
- Baton Music
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The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe and Karl Millöcker were t...
The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe and Karl Millöcker were t...
- Blasorchester (Solo/Feature: Gesang (hoch))
- Partitur und Stimmen
- Henk van de Weijer
- Baton Music
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Johann Strauss jr. composed a great amount of polka's to perform with his own orchestra that played on 'dance soirees' in Vienna. Like the famous polka Donner und Blitz, the Tick-Tack Polka opus 365 i...
Johann Strauss jr. composed a great amount of polka's to perform with his own orchestra that played on 'dance soirees' in Vienna. Like the famous polka Donner und Blitz, the Tick-Tack Polka opus 365 i...
- Blasorchester
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- Olivier Huyard
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Ich lade gern mir Gäste ein wird von Fürst Orlovsky im zweiten Akt der "Fledermaus" gesungen: Er selbst ist von seinem Reichtum permanent gelangweilt, besteht aber darauf, dass sich seine Gäste auf se...
Ich lade gern mir Gäste ein wird von Fürst Orlovsky im zweiten Akt der "Fledermaus" gesungen: Er selbst ist von seinem Reichtum permanent gelangweilt, besteht aber darauf, dass sich seine Gäste auf se...
- Blasorchester (Solo/Feature: Gesang (hoch))
- Partitur und Stimmen
- Roger Niese
- Baton Music
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The Viennese composer Johann Strauss jr. (1825 - 1899) composed besides his famous waltzes and operettas also a great amount of polka's to perform with his own orchestra that played on 'dance soirees'...
The Viennese composer Johann Strauss jr. (1825 - 1899) composed besides his famous waltzes and operettas also a great amount of polka's to perform with his own orchestra that played on 'dance soirees'...
- Blasorchester
- Partitur
- Olivier Huyard
- Baton Music
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The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...
The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...
- Blasorchester
- Partitur und Stimmen
- Roger Niese
- Baton Music
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Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)
Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)
- Blasorchester
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- Roger Niese
- Baton Music
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O Fledermaus, o Fledermaus ist das Finale der Operette "Die Fledermaus". (2 Soprane, 2 Mezzosoprane, 2 Tenöre, 2 Baritone, Chor und Orchester)
O Fledermaus, o Fledermaus ist das Finale der Operette "Die Fledermaus". (2 Soprane, 2 Mezzosoprane, 2 Tenöre, 2 Baritone, Chor und Orchester)
- Blasorchester
- Partitur und Stimmen
- Roger Niese
- Baton Music
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Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...
Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...
- Blasorchester
- Partitur und Stimmen
- José Schyns
- Baton Music
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Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...
Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...
- Blasorchester
- Partitur
- José Schyns
- Baton Music
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Vollständige Transkription von Erik Somers von Tolga Kashifs Meisterwerk The Queen Symphony. Aufführungsmaterial nur zum Verleih (www.batonmusic.nl)
Vollständige Transkription von Erik Somers von Tolga Kashifs Meisterwerk The Queen Symphony. Aufführungsmaterial nur zum Verleih (www.batonmusic.nl)
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Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...
Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...
- Blasorchester
- Partitur und Stimmen
- Roger Niese
- Baton Music
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Täubchen das entflattert ist is the very beginning of Die Fledermaus: At Eisenstein's house the singer Alfred, in love with Eisenstein's wife Rosalinde, is heard serenading Rosalinde. Adele, the maid,...
Täubchen das entflattert ist is the very beginning of Die Fledermaus: At Eisenstein's house the singer Alfred, in love with Eisenstein's wife Rosalinde, is heard serenading Rosalinde. Adele, the maid,...
- Blasorchester
- Partitur und Stimmen
- Roger Niese
- Baton Music
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Paul Dukas completed The Sorcerer's Apprentice in the spring of 1897, and it was performed for the first time on May 18 of that year in Paris. On that occasion, the composer conducted the orchestra of...
Paul Dukas completed The Sorcerer's Apprentice in the spring of 1897, and it was performed for the first time on May 18 of that year in Paris. On that occasion, the composer conducted the orchestra of...
- Blasorchester
- Partitur und Stimmen
- Marco Tamanini
- Baton Music
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Scherzo d'apres une ballade de Goethe Paul Dukas completed The Sorcerer's Apprentice in the spring of 1897, and it was performed for the first time on May 18 of that year in Paris. On that occasion, t...
Scherzo d'apres une ballade de Goethe Paul Dukas completed The Sorcerer's Apprentice in the spring of 1897, and it was performed for the first time on May 18 of that year in Paris. On that occasion, t...
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- Marco Tamanini
- Baton Music
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George Gershwin's opera Porgy and Bess contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of thos...
George Gershwin's opera Porgy and Bess contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of thos...
- Blasorchester (Solo/Feature: Gesang (mittel))
- Partitur und Stimmen
- Roger Niese
- Baton Music
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Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic. This tra...
Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic. This tra...
- Blasorchester
- Partitur und Stimmen
- Baton Music
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Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic. This tra...
Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic. This tra...
- Blasorchester
- Partitur
- Jos van de Braak
- Baton Music
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The African-American ragtime composer Scott Joplin composed his opera Treemonisha in 1910 but it was not performed in its entirety until 1970, when the piano score was rediscovered. The music of Treem...
The African-American ragtime composer Scott Joplin composed his opera Treemonisha in 1910 but it was not performed in its entirety until 1970, when the piano score was rediscovered. The music of Treem...
- Blasorchester
- Partitur und Stimmen
- Gerhart Drijvers
- Baton Music
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Johann Strauss jr. composed a great amount of polka's to perform with his own orchestra that played on 'dance soirees' in Vienna. The polka-mazurka Stadt und Land, Opus 322 is a beautiful example of S...
Johann Strauss jr. composed a great amount of polka's to perform with his own orchestra that played on 'dance soirees' in Vienna. The polka-mazurka Stadt und Land, Opus 322 is a beautiful example of S...
- Blasorchester
- Partitur und Stimmen
- Roger Niese
- Baton Music
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