Latin Big Band Noten

Recorded by the Cannonball Adderley Quintet in the 1960s, this distinctive samba was composed by Cannonball's brother Nat. Featuring a relaxed Latin groove and the familiar riff-like melodies, Mark's...

Recorded by Chick Corea in the early 1970s, Señor Mouse is a sophisticated samba that exemplifies Corea as a skilled and visionary composer. Mike Tomaro's sizzling chart for mature bands maintains an...

In the able hands of master arranger Michael Philip Mossman, this popular standard from the 1930s takes on new life. Using a mix of cha-cha and mambo styles, this marvelous arrangement becomes a solo...

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Michael Mossman uses a moderately fast Afro-Cuban style to craft this setting of Duke Ellington's lesser-known work. This striking and fresh-sounding chart features tight harmonies and a driving rhyth...

At the peak of the big band era, saxophonist, composer and bandleader Charlie Barnet recorded his famous version of Cherokee followed shortly by this second big hit. Treated here in a samba style, Sky...

Composed in the mid 1950s, Bim-Bom is considered the very first bossa nova! Notably recorded by artists such as Sergio Mendes, Astrud Gilberto, and Stan Getz, Roger's version of this familiar standard...

Commissioned by the South Carolina Band Directors Association, Finya Wulo (Mende - 'funeral song') is written using a distinctive 12/8 'bembe' feel in a moderate tempo. The scoring utilizes a small co...

The lush harmonies and flowing melody of this Ellington favorite are set in a medium samba style in this creative arrangement that takes full advantage of the six-horn format. In addition to full ense...

From Dizzy Gillespie's Afro-Cuban stylistic period, here is his delightfully infectious Fiesta Mojo set in a bouncy medium samba groove. A small group starts things off (including optional flute) supp...

Recorded in the mid 1950s and also known as Trane's Blues, this jazz classic is credited to Miles Davis but reportedly penned by John Coltrane. Regardless, Michael Mossman's refreshing version crafted...

This jazz fusion classic by Chick Corea was recorded by Stan Getz in 1972 and also by Chick Corea with his group Return to Forever on the landmark album Light as a Feather. In this exciting version fo...

Based on Michael Mossman's arrangement recorded by Tito Puente (on Special Delivery) here is Gerry Mulligan's jazz standard set in a simmering mambo style for Little Big Band. The entire ensemble gets...

Recorded by the acclaimed Cannonball Adderley Quintet in the 1960s, Jive Samba became one of Nat Adderley's best-known standards. Arranged here for little big band and in a moderate cha-cha style, thi...

This Calypso flavored composition from Sonny Rollins may not be as well-known as his St. Thomas, however Duke of Iron is a distinctive and marvelous tune on its own. Featuring the two tenor saxes and...

This American popular song is a must know in the jazz standard repertoire. Arranged here in a smooth samba groove, Mike Tomaro takes full advantage of the six horn format. Includes flexible solo space...

Michael Mossman hat das weltbekannte kubanische Lied in eine moderne Big-Band-Fassung im moderaten Guajira-Stil mit erstklassigen Harmonien verwandelt.

Wann immer man den Namen von Michele Fernández auf einem Latin-Titel (oder irgendeinem Titel) sieht, weiß man, dass es ein Feuerwerk wird. Diese authentische Rumba ist da keine Ausnahme. Ein Groove, d...

With a hip arrangement that keeps the original flavor, John Berry has created a real crowd pleaser. Guaranteed fun!

Here's Dizzy Gillespie's classic in an outstanding Latin setting for full jazz ensemble by Mark Taylor. Just what you would expect from a quality arranger working with a quality tune, this smokin' cha...

Basiert auf einer ähnlichen Akkordfolge wie Stella By Starlight. Der Melodieteil wird von den Trompeten mit Harmon-Dämpfer und der optionalen Flöte über einen Metheny-artigen Latin-Groove gespielt. So...

Basiert auf einer ähnlichen Akkordfolge wie Blue Bossa. Soli für Trompete und Altsax. Ein ideales Arrangement für Schulbands aber auch für professionelle Tanz- oder Unterhaltungsorchester

Bossa-artiger Latin mit ähnlichen Akkorden wie Days Of Wine And Roses. Das Arrangement enthält ein Altsaxsolo und ein Frage-Antwort-Spiel zwischen den Trompeten und Saxophonen

Burritos to Go is an original Latin rock played at a medium tempo and includes written-out solos for alto sax and/or baritone sax. The lead trumpet plays to a written G above the staff. This chart is...

Composer/arranger Alan Baylock delivers an inspired Afro-Cuban 12/8 groove to feature the lead alto sax with solo space. The melody is played by alto sax and trumpet. Lead trumpet range is to high D w...