Leichte Contemporary Jazz-Noten

Milt Jackson recorded this classic jazz standard in 1971 with Oscar Peterson on an album by the same name, but over the years it been recorded by countless jazz artists. Set in a moderate straight 8th...

Contemporary Straight-Eighth Maiden Voyage-Feel. Ideal für den Einstieg in die Improvisation, da es nur wenige Sus-Akkorde gibt.

Another wonderful original by Patty Darling, 'The Next Chapter' is a fresh, contemporary easy-to-play chart. Starting with a light rhythmic feel, this great tune settles into a happening rock groove w...

A hit by vocal star Josh Groban, sung as a tribute to the Space Shuttle Columbia astronauts, this uplifting melody is arranged by Mike Smukal for the young jazz ensemble. Featuring a tenor sax solo wi...

Composed by brothers Cannonball and Nat Adderley, this straight-eighth groove will captivate. At 120 BPM, the lead trumpet range is to written G on top of the staff, solos are written-out for alto and...

A hit by vocal star Josh Groban, sung as a tribute to the Space Shuttle Columbia astronauts, this uplifting melody is arranged by Mike Smukal for the young jazz ensemble. Featuring a tenor sax solo wi...

A hit by vocal star Josh Groban, sung as a tribute to the Space Shuttle Columbia astronauts, this uplifting melody is arranged by Mike Smukal for the young jazz ensemble. Featuring a tenor sax solo wi...

An easy-going chart, with a relaxed straight-eighth groove at about 116 BPM, 'Smiles and Smiles to Go' features an alto solo with a suggested written solo, trumpet 1 range up to G on top of the staff,...

An easy-going chart, with a relaxed straight-eighth groove at about 116 BPM, 'Smiles and Smiles to Go' features an alto solo with a suggested written solo, trumpet 1 range up to G on top of the staff,...

An easy-going chart, with a relaxed straight-eighth groove at about 116 BPM, 'Smiles and Smiles to Go' features an alto solo with a suggested written solo, trumpet 1 range up to G on top of the staff,...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...