Leichte Geistliche Musik-Noten

Psalm 146 is the text source for this lyrical anthem for SAB voices with C instrument and keyboard. Commissioned for a middle school honors chorus, the piece works well with high school or adult voice...

This piece is based on the traditional folksong O Waly, Waly and is arranged for mixed voices with piano. The text is taken from Psalms 37 and 51 and Deuteronomy 10:12, it would be highly effective on...

Many composers have arranged Psalm 47. Here, Stephen Hopkins gives us a work for divisi mixed chorus with piano. The mixed meter provides a constant energy and complementary rhythmic texture that trul...

With a text from Psalm 25, this SAB work with keyboard is perfect for the small church choir. Try it for a Sunday school rally day, confirmation, or any time of commitment. This is another accessible...

With text from the book of Zephaniah and the Psalms, Mark Hayes has created a timeless work already performed by thousands of choirs around the world. The pianistic accompaniment has also proved to wo...

The Missa Sanctae Margaretae is a stunning new setting of the Missa Brevis, showcasing Jackson's mesmerizing choral writing. Scored for SATB and organ, the accessible choral lines move through a varie...

Commissioned and first performed by the choir of Liverpool Cathedral, this anthem is ideal for use during the Feast of Saints Peter and Paul. The choral lines move between sonorous homophonic writing...

This attractive and uplifting anthem sets the text of the Eastertide Vidi aquam antiphon. Different parts of the text are treated to contrasting musical ideas, including extended melismatic upper-voic...

Setting a text by David Warner on the parable of The Prodigal Son from St Luke's Gospel, this large-scale choral work is something of a stylistic departure for Mack Wilberg. With echoes of Arvo Pärt,...

This volume comprises twenty-eight of the finest oratorio choruses, complete short choral works, and movements from masses or requiems from the seventeenth to the twentieth centuries. Drawing repertoi...

This companion volume provides organists with new, dedicated three-stave accompaniments to twenty-four of the twenty-eight choruses in the main Sacred Choruses volume. In every case, these organ trans...

A dramatic and characterful presentation of Psalm 68 for mixed voices and piano that is rich in colour and changes of tempo and style.

This arrangement of Rimsky-Korsakov's 'Glory' (Slava, Op.21) by Terry Price brings this popular Russian anthem to a wider audience. The original Russian text has been replaced with a hymn by the arran...

Full score and parts for the brass ensemble version of Terry Price's rousing arrangement of Rimsky-Korsakov's 'Glory' (Slava, Op.21).

This Easter carol is based on J. M. Neale's translation of the Latin Piae Cantiones and occupies a captivatingly exotic soundworld. Sheehan's setting is in strophic form, with a texture that builds fr...

This celebratory anthem sets Psalm 100 'O be joyful in the Lord' from the Book of Common Prayer and uses organ flourishes, dancing vocal melodies, and lively articulation to emphasize the exultant mes...

This compelling anthem presents an assortment of historic sacred texts, artfully compiled by the composer to form a complete setting, with alternative text for Lenten use. Firmly rooted in the English...

Mack Wilbergs Hosanna in excelsis ist eine Bearbeitung von Johann Pachelbels bekanntem Kanon in D, P 37, die die Worte "Hosanna in excelsis Deo" in den sorgfältig verwobenen Chorteil setzt. Mit dem be...

Jacob de Haans Bearbeitung des bekannten Chorals Allein Gott in der Höh' sei Ehr beginnt mit einem Zitat aus der Missa Katharina von Jacob de Haan, einer Messe für Chor, Sopran und Blasorchester. Dari...

This haunting folk tune is classified as Type I, which are hymns sung to settings of traditional ballad tunes. This classification was devised by Phillips Barry (1880-1937), who was a pioneering Early...

In diesem mittelschweren Werk wird Bodypercussion mit einer kreativen harmonischen und melodischen Behandlung eingesetzt. Ein gutes Werk, um ein Frühlingskonzert zu beginnen.