Leichte Klassische Musik der Moderne-Noten

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

From original piano solo by Satie, this beautiful arrangement includes a part for harp or piano.

Written in the style of Haydn and Mozart, this composition features the keys of C and G Major, imitative motives and a variety of dynamics. Grade 1 1/2, 2:45

A two-movement winner of the 1995 National School Orchestra Association Composition Contest.

This light-hearted waltz in D Major features a cuckoo bird motif that gets passed around to the entire orchestra. All in 1st position.

Based on the Civil War song, The Cruel War, this poignant work is about women who disguised themselves as men