Leichte Klassische Musik des Barock-Noten

Choral (Schütz) - Choral (Praetorious) - Intrada (Pezel) - Sarabande (Pezel) - Bal ( Pezel) - Intrada (Reiche) - Allemande (Schein) - Air (Anonymous) - 3 Madrigals (Morley) - Pavane (Susato) - Entrée...

Choral (Schütz) - Choral (Praetorious) - Intrada (Pezel) - Sarabande (Pezel) - Bal ( Pezel) - Intrada (Reiche) - Allemande (Schein) - Air (Anonymous) - 3 Madrigals (Morley) - Pavane (Susato) - Entrée...

Choral (Schütz) - Choral (Praetorious) - Intrada (Pezel) - Sarabande (Pezel) - Bal ( Pezel) - Intrada (Reiche) - Allemande (Schein) - Air (Anonymous) - 3 Madrigals (Morley) - Pavane (Susato) - Entrée...

Choral (Schütz) - Choral (Praetorious) - Intrada (Pezel) - Sarabande (Pezel) - Bal ( Pezel) - Intrada (Reiche) - Allemande (Schein) - Air (Anonymous) - 3 Madrigals (Morley) - Pavane (Susato) - Entrée...

Choral (Schütz) - Choral (Praetorious) - Intrada (Pezel) - Sarabande (Pezel) - Bal ( Pezel) - Intrada (Reiche) - Allemande (Schein) - Air (Anonymous) - 3 Madrigals (Morley) - Pavane (Susato) - Entrée...

The rigaudon is a popular French dance of the 17th century that has become a favorite of composers in all time periods. This rigaudon-one of Purcell's most famous melodies-has been arranged for first-...

The instantly identifiable theme from the third concerto of Vivaldi's ground- breaking Opus 8 is a natural for less experienced players. Written to celebrate the joys of harvest, the festive mood crea...

The instantly identifiable theme from the third concerto of Vivaldi's ground- breaking Opus 8 is a natural for less experienced players. Written to celebrate the joys of harvest, the festive mood crea...

The instantly identifiable theme from the third concerto of Vivaldi's ground- breaking Opus 8 is a natural for less experienced players. Written to celebrate the joys of harvest, the festive mood crea...

Opening in the key of G to make the melody easy for the violas, cellos, and basses, the piece then moves to the key of D for the violin, allowing each section to play the melody on their upper strings...

Opening in the key of G to make the melody easy for the violas, cellos, and basses, the piece then moves to the key of D for the violin, allowing each section to play the melody on their upper strings...

Opening in the key of G to make the melody easy for the violas, cellos, and basses, the piece then moves to the key of D for the violin, allowing each section to play the melody on their upper strings...

The depth and richness of lower strings are brought center stage in this regal- sounding work. The music is adapted from the aria, 'Heroes, When with Glory Burning,' taken from the oratorio, Joshua. P...

The depth and richness of lower strings are brought center stage in this regal- sounding work. The music is adapted from the aria, 'Heroes, When with Glory Burning,' taken from the oratorio, Joshua. P...

The depth and richness of lower strings are brought center stage in this regal- sounding work. The music is adapted from the aria, 'Heroes, When with Glory Burning,' taken from the oratorio, Joshua. P...