Leichte Noten für Gemischter Chor

Let all mortal flesh keep silence is a reflective, homophonic setting of text from the fourth-century Orthodox Liturgy of St James. Sheehan's setting, an original rather than the customary pairing wit...

This is a warm and tender piece setting the last three verses of Christina Rossetti's 'What good shall my life do me?', which encourages leading a life of love as an example for others. Daley's heartf...

This a cappella setting of evocative words by E. Pauline Johnson is immediately appealing, with its playful, swinging syncopations and dancing scat accompaniment. Also available in a version for SSAA...

This a beautiful and meditative setting of a translated text from Carmina Gadelica, a collection of Gaelic hymns, prayers, and other texts. With gentle suspensions and exquisite harmonies, this anthem...

With a text by John Henry Newman, Lead, kindly Light is a short, moving piece perfectly suited for our current times. Step-like movement in the melody reflects the speaker seeking light in the darknes...

This imaginative setting of Henry Wadsworth Longfellow's poem encourages the use of evocative bird and wind noises to capture the text's natural imagery. In a fresh, a cappella style, Hawley's charism...

Bob Chilcotts ausdrucksstarke Vertonung von Sara Teasdales Gedicht 'Peace' sorgt mit üppigen Harmonien und sanfter Dynamik für besinnliche Momente in Ihrem nächsten Konzertprogramm.

The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. With its valedictory message, it would make a fitting end to a performance, perhaps as an encor...

Let all the world in ev'ry corner sing is an upbeat setting of a hymn text by seventeenth-century English poet George Herbert. Chilcott uses irregular metres, syncopation, and dancing melodic shapes t...

Bring me all your dreams ist eine wunderbar schlichte Vertonung vertrauter Worte von Langston Hughes und zeigt Harris' effektive homophone Schreibweise und reiche harmonische Palette. Das Stück ist un...

A Birthday vertont ein gleichnamiges Gedicht von Christina Rossetti. Chydenius spiegelt die lebhaften Bilder im Text der Strophen durch schöne Gesangslinien mit wirbelnden Gegenmelodien wider. Die Ref...

Dieses Lied verbindet gekonnt ein klassisches Gedicht, Christina Rossettis Uphill, mit einem entspannten, leicht jazzigen Stil. Durch die Erweiterung von drei- auf sechsstimmige Harmonie ermöglicht di...

Dieses kurze Abendgebet von James Whitbourn vertont einen Auszug aus dem Book of Common Prayer. Geschrieben für den Chor des Harris Manchester College, Oxford, ist es eine meditative Bitte um Gottes S...

In Quiet Peace vertont der Komponist Tristino Ali zärtliche Worte über die Ruhe, die man findet, wenn man Zeit allein mit Gott verbringt. Mit leicht zugänglichen und vor allem schrittweisen Teilen sch...

Bewahre mich wie einen Augapfel ist ein ruhiges und meditatives geistliches Werk, das sich für die Aufführung während des gesamten Kirchenjahres eignet. Der Text stammt aus Psalm 17 und ist eine Bitte...

Mit einem Text von Thomas H. Troeger erkundet dieses ausdrucksstarke Stück den Gedanken der Kameradschaft und der Widerstandsfähigkeit in schwierigen Zeiten. Die tröstliche, lyrische Melodie liegt übe...

Another issue in the Church Music Society's series of great 16th-century Responds, John Sheppard's Reges Tharsis is for the season of Epiphany, celebrating the visit of the Magi to the infant Jesus. T...

This short anthem or introit by Jack Redman uses verses from Kate B. Wilkinson's touching hymn 'May the mind of Christ my Saviour', first published in 1925. Scored for SATB, it may be sung unaccompani...

This fine Respond by Thomas Tallis is scored for SATTBarB, with the chant placed in the 2nd Tenor part. Intended for the Feast of Corpus Christi, it can be sung at any Eucharistic service, either as a...

SSAATTBB unaccompanied In 1854 Pearsall arranged his madrigal Lay a garland to the text Tu es Petrus. Richard Shephard has taken up this idea and skilfully adapted Pearsall's fine eight-part piece Gre...

For SSATB unaccompanied This piece (entitled Carmen Funebre) and Tu es sacerdos were cited as examples of good church music in S.S.Wesley's pamphlet about the state of church music in 1849. The text h...

Mark's Sirett's setting of these anonymous words has a magical quality that is most attractive to singers and listeners alike. The soprano(s) announce the main tune before it is taken up by the full c...

This setting of the Nunc Dimittis was written for Westminster Cathedral and first performed at Compline on Easter Day 1916. In concerts it could be contrasted with the Latin settings by Howells and Ho...

John Taverner's Respond 'Dum transisset Sabbatum' (I) is now established as one of the finest examples of English polyphony composed in the last days of the Sarum Rite. Scored for SATBarB, alternating...

This is the first published edition of an anthem by Henry Walford Davies that dates from the mid 1890s. Scored for lower voices, AATTBB, it is a setting of an anonymous text from 1836 that is suitable...