Leichte Noten von Hinshaw Music

Lucy Jones wrote the text for this energetic piece when she was in fifth grade in 2013. Scored for unison voices with piano, the piece is a wonderful addition to the accent on young voices series edit...

Lucy Jones wrote the text for this energetic piece when she was in fifth grade in 2013. Scored for unison voices with piano, the piece is a wonderful addition to the accent on young voices series edit...

What a great collection of songs! From the sorrowful Nae Mair We'll Meet Again to the spirited Cam' Ye By Atholl, this set will keep your audience and choir entertained. For men's voices with solos

A fun and upbeat folksong for Jr. high choir, both choir and audience are guaranteed to have fun with this one! From our Jean Ashworth Bartle Choral series

The canonic nature of this piece makes it rather easy to pull together. So, if you seek a last minute opening for a spring concert-this is it! The piece is scored for SSA voices with piano accompanime...

Richard Smith's arrangement of this familiar folk song is perfect for a secondary chorus

One of three American folksongs in Nance's colorful, playful style, which is well within the reach of most high school choirs. The piece starts with unison women and then is followed by four-part men,...

One of three American folksongs in Nance's colorful, playful style, which is well within the reach of most high school choirs. The melody skips from part to part and has with challenging rhythmic sect...

One of three American folksongs in Nance's colorful, playful style, which is well within the reach of most high school choirs. Set at a quick tempo, the humor is highlighted by a variety of musical de...

Phil Olson indicates that this American folk song has Irish roots and that the names found in the work are taken from the muster rolls and casualty list from the battle of Bunker Hill. A great contest...

A concert piece for secondary chorus, with piano duet from Three Scottish Folksongs. Also available: O Whistle And I'll Come To Ye (HMC649) and My Love's In Germany (HMC670)

Lively arrangement of this familiar spiritualMeaningful, but full of fun onomatopoeia, a joy to practice, perform, and hear!

A spirited arrangement (for SSA and keyboard) of a lesser known, but likable, spiritualMedium difficulty, for secondary level and above

The mixed chorus version of this piece has long been a favorite from the Hinshaw catalogue. In this arrangement, Andre Thomas sets the work for treble chorus with piano.

Traditional American spiritual, easy for a high school or adult choir

A lively and spirited American spiritual, arranged for high school chorus (SAB) with keyboard accompaniment

Short and powerful, this work draws its inspiration from Romans 9:21, one of the most ancient spiritual images in Christendom.

This arrangement of the swinging American spiritual features a call and response pattern. Medium secondary level

This arrangement of the traditional spiritual would make a good addition to a festival or spiritual concert, contains an optional solo for medium SAB choir with keyboard accompaniment

A spirited arrangement of the familiar folk song, SATB (div.) with keyboard accompaniment

This lesser known spiritual is arranged for medium advanced choir

This rollicking spiritual for mixed voices with alto solo and piano will be a hit on any spring concert, suitable as the finale for your high school or advanced junior high choir.

Robert Lau sets this lovely traditional spiritual for SAB voices and organ or piano, suitable for Lent

An original spiritual for mixed chorus and piano accompaniment with words and music by choral conductor, Stephen Hopkins

For mixed voices with keyboard accompaniment, the traditional spiritual Stayed On Jesus is set here in an accessible arrangement. Influenced by gospel music, try the piece on music ministry Sunday.