Leroy Anderson Noten für Orchester

The soloist 'sizzles,' the orchestra 'supports' and the experience is a first-class musical experience in this adaptation of music from one of the greatest composers of light classical music. Using th...

The soloist 'sizzles,' the orchestra 'supports' and the experience is a first-class musical experience in this adaptation of music from one of the greatest composers of light classical music. Using th...

The soloist 'sizzles,' the orchestra 'supports' and the experience is a first-class musical experience in this adaptation of music from one of the greatest composers of light classical music. Using th...

At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...

At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...

All six movements of this classic Anderson work have been transcribed from his handwritten manuscript. Premiered by the Boston Pops under the direction of Arthur Fiedler, this piece was originally wri...

Leroy Anderson's (1908-1975) Jazz Pizzicato, written in 1938, was the first of his works to be performed by the Boston Pops after he came to the attention of the pops orchestra's director, Arthur Fied...

An enduring classic, this new release from the pen of Leroy Anderson will once again become a staple of the orchestra library. Fiddle-Faddle is being reprinted with full score and bowed parts so that...

An enduring classic, this new release from the pen of Leroy Anderson will once again become a staple of the orchestra library. Fiddle-Faddle is being reprinted with full score and bowed parts so that...

An enduring classic, this new release from the pen of Leroy Anderson will once again become a staple of the orchestra library. Fiddle-Faddle is being reprinted with full score and bowed parts so that...

Alle Schulorchester können den Zauber von Leroy Anderson mit dieser Komposition in der Originalfassung erleben. Jahr für Jahr verwendbar.

Als eines von drei Werken von Leroy Anderson, in denen Pferde vorkommen (die beiden anderen sind "Sleigh Ride" und "Home Stretch"), ist dieser amerikanische Pops-Klassiker in seiner Originalbesetzung...

Erstmals 1954 veröffentlicht und aufgenommen (damals nur auf dem Album "A Leroy Anderson 'Pops' Concert" enthalten), wurde dieses schöne Klavierinstrumental 1957 als britische Single veröffentlicht un...

Leroy Anderson vollendete 1953 vier Werke: "Song of the Bells", "Summer Skies", "The Girl in Satin" und "Concerto in C for Piano and Orchestra". Er ließ sich und seiner Familie ein modernes Haus auf d...

Leroy Anderson vollendete 1953 vier Werke: "Song of the Bells", "Summer Skies", "The Girl in Satin" und "Concerto in C for Piano and Orchestra". Er ließ sich und seiner Familie ein modernes Haus auf d...

The key to George Frideric Handel's (1685-1759) genius lies in his operas and oratorios. Handel's output of vocal compositions has established his greatness far more than the few organ concerti, sonat...

The key to George Frideric Handel's (1685-1759) genius lies in his operas and oratorios. Handel's output of vocal compositions has established his greatness far more than the few organ concerti, sonat...

Leroy Anderson (1908-1975) schrieb 1953 vier Werke, darunter The Girl in Satin. The Girl in Satin ist in einem lateinamerikanischen Stil geschrieben. Wie der bekanntere Blaue Tango ist The Girl in Sat...

Leroy Anderson (1908-1975) schrieb 1953 vier Werke, darunter The Girl in Satin. The Girl in Satin ist in einem lateinamerikanischen Stil geschrieben. Wie der bekanntere Blaue Tango ist The Girl in Sat...

Leroy Anderson (1908-1975) schrieb 1953 vier Werke, darunter The Girl in Satin. The Girl in Satin ist in einem lateinamerikanischen Stil geschrieben. Wie der bekanntere Blaue Tango ist The Girl in Sat...

Leroy Andersons "Sandpaper Ballet" wurde als Hommage an den Soft-Shoe-Tanzstil geschrieben, der in den Varietés des frühen 20. Jahrhunderts üblich war, und war nicht als Ballett gedacht, obwohl es sic...

Leroy Anderson composed "Arietta" in 1962 in Woodbury, Connecticut. The main melody first materialized as a brief eight-measure sketch for viola and cello, intended for Leroy Anderson's daughter Jane...

Leroy Anderson composed "Arietta" in 1962 in Woodbury, Connecticut. The main melody first materialized as a brief eight-measure sketch for viola and cello, intended for Leroy Anderson's daughter Jane...

Dieses Werk ist ein amerikanischer Pops-Klassiker in seiner Originalbesetzung und gehört zur Anderson Classics Series von E.F. Kalmus.

An American Pops classic in it's original scoring, this work is part of the Anderson Classics Series by E.F. Kalmus.