Libby Larsen Noten für gemischten Chor

For SATB Choir.

SATB & piano Don Michael Dicie has created a straightforward, unflashy but beautiful arrangement of Lowry's famous 'How can I keep from singing?'. Dicie departs from his typical harmonic style of majo...

For SATB unaccompanied - This setting has a distinctly plainsong feeling. Its thematic material is freely drawn from Gregorian Mass IV.

For SSATB unaccompanied This piece (entitled Carmen Funebre) and Tu es sacerdos were cited as examples of good church music in S.S.Wesley's pamphlet about the state of church music in 1849. The text h...

For SATB unaccompanied. This is a powerful setting of one of the greatest American blues melodies. The tension in the piece climaxes in two cumulative waves. A devastating concert piece in the hands o...

For SATB unaccompanied. Arrangement of an old Basque carol.

For SATB unaccompanied

For SATB unaccompanied. Magnificat antiphon for the Feast of Corpus Christi

For SATB unaccompanied. The text, by Robert Southwell (1562-1595), was published more than 400 years ago, but its startling images linking Nativity to Passion may still seem shocking, even today.

SSATB unaccompanied The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain the Chu...

Reihe: Chorsammlung Mathias Breitschaft

Wesley set this prayer from the Litany several times and this edition is based on the final one published in 1870. The simple chordal texture of the opening blossoms into a richly contrapuntal Amen. T...

SSAATTBB & organ This edition by Richard Lyne retains the original Latin text and is based on the fair copy that Wesley left to his son, Samuel Sebastian Wesley.

SSAATTBB, SSATTB verse & organ First edited in the 1950s by Watkins Shaw and published privately, this magnificent anthem has been revised in honour of the centenary of Shaw's birth by his successor a...

The Church Music Society is proud to publish this mass setting by Anthony Caesar, written for St Paul's, K Street, Washington DC. The quieter sections are strongly influenced by plainsong, and the Glo...

Wesley set this text from Psalm 110 twice - once in 1814 for four voices and again in 1827 for six voices. This latter version, though short, has considerable drive and impact, making it highly suitab...

Continuing the Society's series of Dering motets, this setting of 'Ave Maria' from the 1617 'Cantiones Sacra' is mainly homophonic, with a few imitative phrases. It displays Dering's love of the augme...

Aus dem 'Mainzer Chorbuch'.