Marc Koninkx: Mittelschwere Noten
Die dreisätzige Suite 'Sigurd Jorsalfar' entstand 1872 aus einer neunteiligen Schauspielmusik, die Edvard Grieg für ein Theaterstück über den Norwegischen König komponierte. Der daraus stammende 'Homa...
Die dreisätzige Suite 'Sigurd Jorsalfar' entstand 1872 aus einer neunteiligen Schauspielmusik, die Edvard Grieg für ein Theaterstück über den Norwegischen König komponierte. Der daraus stammende 'Homa...
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Lieferzeit 1-3 Arbeitstage - Mit leichten Gebrauchsspuren
Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
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Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
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Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
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Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
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The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...
The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...
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The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...
The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...
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When Rossini's Opera Matilde di Shabran was premiered in Rome in 1821, it was billed as a 'melodrama giocoso', somewhere between an Opera Buffa and an Opera Seria in character.In 1822 it was given in...
When Rossini's Opera Matilde di Shabran was premiered in Rome in 1821, it was billed as a 'melodrama giocoso', somewhere between an Opera Buffa and an Opera Seria in character.In 1822 it was given in...
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When Rossini's Opera Matilde di Shabran was premiered in Rome in 1821, it was billed as a 'melodrama giocoso', somewhere between an Opera Buffa and an Opera Seria in character.In 1822 it was given in...
When Rossini's Opera Matilde di Shabran was premiered in Rome in 1821, it was billed as a 'melodrama giocoso', somewhere between an Opera Buffa and an Opera Seria in character.In 1822 it was given in...
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This Tsar Boris was the same Boris Godunov who was celebrated by Pushkin and immortalized by Mussorgsky, and Kalinnikov's (1866-1901) resplendent piece is aptly endowed with Tsarist pomp and circumsta...
This Tsar Boris was the same Boris Godunov who was celebrated by Pushkin and immortalized by Mussorgsky, and Kalinnikov's (1866-1901) resplendent piece is aptly endowed with Tsarist pomp and circumsta...
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This Tsar Boris was the same Boris Godunov who was celebrated by Pushkin and immortalized by Mussorgsky, and Kalinnikov's (1866-1901) resplendent piece is aptly endowed with Tsarist pomp and circumsta...
This Tsar Boris was the same Boris Godunov who was celebrated by Pushkin and immortalized by Mussorgsky, and Kalinnikov's (1866-1901) resplendent piece is aptly endowed with Tsarist pomp and circumsta...
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The Hungarian Dances (Ungarische Tänze), evoking directly the warm blood of Hungarian gypsy music, consist of 21 dances, originally composed for piano four hands. The 5th dance is probably the most ce...
The Hungarian Dances (Ungarische Tänze), evoking directly the warm blood of Hungarian gypsy music, consist of 21 dances, originally composed for piano four hands. The 5th dance is probably the most ce...
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The Hungarian Dances (Ungarische Tänze), evoking directly the warm blood of Hungarian gypsy music, consist of 21 dances, originally composed for piano four hands. The 5th dance is probably the most ce...
The Hungarian Dances (Ungarische Tänze), evoking directly the warm blood of Hungarian gypsy music, consist of 21 dances, originally composed for piano four hands. The 5th dance is probably the most ce...
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Joyeuse Marche by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was "Prélude Pastoral") first performed on 4 November 1888 in Angers, conducted by the...
Joyeuse Marche by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was "Prélude Pastoral") first performed on 4 November 1888 in Angers, conducted by the...
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Rimsky-Korsakov wrote his "Fantasia on Serbian Themes" (also known as the "Serbian Fantasy") in 1867. Mily Balakirev conducted the first performance of this piece in May of that year. The "Fantasy" wa...
Rimsky-Korsakov wrote his "Fantasia on Serbian Themes" (also known as the "Serbian Fantasy") in 1867. Mily Balakirev conducted the first performance of this piece in May of that year. The "Fantasy" wa...
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Sigurd Jorsalfar ist eine Orchestersuite von Edvard Grieg zu Ehren von König Sigurd I. von Norwegen, die 1872 aus der Begleitmusik zu einem Theaterstück von Bjørnstjerne Bjørnson zusammengestellt wurd...
Sigurd Jorsalfar ist eine Orchestersuite von Edvard Grieg zu Ehren von König Sigurd I. von Norwegen, die 1872 aus der Begleitmusik zu einem Theaterstück von Bjørnstjerne Bjørnson zusammengestellt wurd...
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Sigurd Jorsalfar" is an orchestral suite by Edvard Grieg, celebrating King Sigurd I of Norway compiled in 1872 from incidental music to a play by Bjørnstjerne Bjørnson. The complete suite is in nine p...
Sigurd Jorsalfar" is an orchestral suite by Edvard Grieg, celebrating King Sigurd I of Norway compiled in 1872 from incidental music to a play by Bjørnstjerne Bjørnson. The complete suite is in nine p...
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Der "Joyeuse Marche" des französischen Komponisten Emmanuel Chabrier ist die zweite Hälfte eines Paares von Orchesterstücken (das andere war "Prélude Pastoral"), das am 4. November 1888 in Angers unte...
Der "Joyeuse Marche" des französischen Komponisten Emmanuel Chabrier ist die zweite Hälfte eines Paares von Orchesterstücken (das andere war "Prélude Pastoral"), das am 4. November 1888 in Angers unte...
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Die dreisätzige Suite 'Sigurd Jorsalfar' entstand 1872 aus einer neunteiligen Schauspielmusik, die Edvard Grieg für ein Theaterstück über den Norwegischen König komponierte. Der 'Homage March' ist auc...
Die dreisätzige Suite 'Sigurd Jorsalfar' entstand 1872 aus einer neunteiligen Schauspielmusik, die Edvard Grieg für ein Theaterstück über den Norwegischen König komponierte. Der 'Homage March' ist auc...
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Die dreisätzige Suite 'Sigurd Jorsalfar' entstand 1872 aus einer neunteiligen Schauspielmusik, die Edvard Grieg für ein Theaterstück über den Norwegischen König komponierte. Der daraus stammende 'Homa...
Die dreisätzige Suite 'Sigurd Jorsalfar' entstand 1872 aus einer neunteiligen Schauspielmusik, die Edvard Grieg für ein Theaterstück über den Norwegischen König komponierte. Der daraus stammende 'Homa...
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Das Oratorium "Mors et Vita" (Tod und Leben) ist die Fortsetzung von "Die Erlösung" und war der zweite Teil einer geplanten Oratorientrilogie, die Charles Gounod 1885 für das Birmingham Festival in Au...
Das Oratorium "Mors et Vita" (Tod und Leben) ist die Fortsetzung von "Die Erlösung" und war der zweite Teil einer geplanten Oratorientrilogie, die Charles Gounod 1885 für das Birmingham Festival in Au...
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Anton Bruckner composed his 'Kleine Orchesterstücke' in 1862 as a first attempt in that field which later he was to make his very own: orchestral music. These four pieces are melodious little 'moments...
Anton Bruckner composed his 'Kleine Orchesterstücke' in 1862 as a first attempt in that field which later he was to make his very own: orchestral music. These four pieces are melodious little 'moments...
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Anton Bruckner composed his 'Kleine Orchesterstücke' in 1862 as a first attempt in that field which later he was to make his very own: orchestral music. These four pieces are melodious little 'moments...
Anton Bruckner composed his 'Kleine Orchesterstücke' in 1862 as a first attempt in that field which later he was to make his very own: orchestral music. These four pieces are melodious little 'moments...
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In 1873 Tschaikowsky composed his "Six Piano Pieces Opus 19". 15 Years later he arranged the fourth movement, "Nocturne", for cello and orchestra. The composer's preferred cellist, Wilhelm Karl Friedr...
In 1873 Tschaikowsky composed his "Six Piano Pieces Opus 19". 15 Years later he arranged the fourth movement, "Nocturne", for cello and orchestra. The composer's preferred cellist, Wilhelm Karl Friedr...
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