Marsch-Noten von Kendor Music

Designed as a first concert piece for beginners, this enduring favorite (released in 1968) limits rhythms to nothing shorter than a quarter note, includes no slurs, provides ample bowing reminders, an...

Built on the pentatonic scale, this exuberant march with an oriental flair will delight players and audiences alike. A combined 1st/2nd Violin part (16 copies in each set) promotes greater confidence...

The Zulu title of this popular South African folk hymn translates to We Are Marching. In this clever adaptation, the melody is first presented in all parts, then appears as a round backed by a rock-st...

Opening with a cello and bass introduction, this adaptation of the popular march theme demands a steady tempo, clearly-articulated bowings, and careful attention to accents and dynamics. It affords al...

This arrangement of the Franz von Suppé classic is presented in cut time for players who have not been exposed to 6/8 time or find it difficult to manage. All the integrity of the original has been re...

Scored in D major, this winning march for first-year strings opens and ends with dramatic pyramid entrances from the bottom up -- cellos and basses first, then violas, then 2nd Violins, and finally 1s...

An excellent piece to introduce young string students to the regal "Maestoso" style.

This moderately-paced original in G has singable melody lines, well-articulated accompaniment figures, and interesting material for all. Some simple counterpoint adds depth and dimension, and the opti...

The Zulu title of this popular South African folk hymn translates to We Are Marching. In this clever adaptation for grade 1+ strings, the melody appears in all parts in G major. It is then presented a...

The Zulu title of this popular South African folk hymn translates to We Are Marching. In this clever adaptation for grade 1+ strings, the melody appears in all parts in G major. It is then presented a...

Opening with a cello and bass introduction, this adaptation of the popular march theme demands a steady tempo, clearly-articulated bowings, and careful attention to accents and dynamics. It affords al...

This arrangement of the Franz von Suppe classic is presented in cut time for the benefit of grade 2 players who have not either been exposed to 6/8 time, or find it problematic to negotiate. All the i...