Maurice Hinson Klaviernoten

Children's Suite (Canons), Op. 65 was composed in the late 1890s. All eight movements of the suite are written in canon form and are accessible to pianists at the early advanced level. This edition in...

Le matin and Le soir were composed in 1895. The pieces feature contrasting sections, facile and flowing pianism, with cool and colorful endings. Both are excellent examples of Chaminade's charming and...

Covering music from approximately 1890 to 1914, Dr. Hinson presents a fascinating lecture on the dramatic changes that composers wrought during the early 20th century. Music by Bartók, Debussy, Joplin...

The early 20th century was a period of dramatic changes, when composers were venturing in new directions and seeking new sounds. The pairing of the Anthology of 20th Century Piano Music with the Piano...

These delightful and ingratiating Sonatinas are rich in melodic grace and rhythmic vitality. They were composed around 1820 and reflect an outstanding mastery of duet piano writing. Both parts contain...

Consisting of four movements, this work for one piano/four hands shows the influence of the French lyric opera composers Gounod and Massenet. Debussy composed this work before he had fully developed h...

In 1845, Robert Schumann embarked on an intense course of contrapuntal studies. This led him to rent a pedalboard attachment for his piano, inspiring him to write pieces specifically for pedal piano,...

In 1845, Robert Schumann embarked on an intense course of contrapuntal studies. This led him to rent a pedalboard attachment for his piano, inspiring him to write pieces specifically for pedal piano,...

The Fantasie in F minor, Op. 103, is Franz Schubert's most-often performed piano duet and is considered one of the great masterpieces of ensemble piano repertoire. Schubert completed the Fantasie in 1...

Franz Schubert was one of the most prolific composers of ensemble piano music, and these two marches demonstrate his mastery at writing for one piano, four hands. The Two Characteristic Marches, Op. 1...

Franz Schubert was one of the most prolific composers of ensemble piano music, and these two marches demonstrate his mastery at writing for one piano, four hands. The Two Characteristic Marches, Op. 1...

The Spanish Dances, Op. 12, are probably Moszkowski's most famous piano works. These five duets are beautifully conceived for the piano and have a winning appeal. They often sound more difficult than...

MacDowell's bold Opus 20 character pieces are expressive and Romantic in style. Precise editing by Maurice Hinson enables the performers to bring out the interpretive subtlety of each selection.

Edward MacDowell was one of America's first and most important native-born composers. Smaller piano works have enhanced MacDowell's reputation more than any of his other compositions. He was a miniatu...

George Gershwin's three most famous preludes demonstrate his genius for piano writing, and portray a variety of styles. Prelude I exudes energetic syncopation, Prelude II is a lyric blues with an osti...

This volume surveys American piano music over the last two centuries, providing biographical information on composers as well as performance notes. Pieces are presented in their original form and have...

George Gershwin's three most famous preludes demonstrate his genius for piano writing, and portray a variety of styles. Prelude I exudes energetic syncopation, Prelude II is a lyric blues with an osti...

Editor Maurice Hinson has compiled this outstanding collection of George Gershwin's complete works for solo piano. Includes performance notes and helpful editorial pedal and fingering suggestions to a...

George Gershwin's three most famous preludes demonstrate his genius for piano writing, and portray a variety of styles. Prelude I exudes energetic syncopation, Prelude II is a lyric blues with an osti...

Three wonderful collections of sonatinas grouped in progressive order of difficulty. Beautifully engraved and accurately edited, this series is a favorite of piano teachers and students.