Mittelschwere Funk-Noten

Achtung es ist'Hurricane Season'! - Mit dieser kraftvollen Funknummer im'New Orleans Brass Band-Feeling' von Trombone Shortys Album'Backatown' wirbeln Sie Ihr Publikum richtig auf. Im aufregenden Arr...

I Got The Feelin' ist ein Funk-Klassiker des 'Godfather of Soul' James Brown aus dem Jahr 1968. Im Arrangement von Paul Murtha mit ausgeschriebenen oder offenen Soli und Schlagzeugbreak übernehmen die...

Similar to Lee Morgan's famous Sidewinder, this tune is written in a moderate soul jazz vein. Mark's funky arrangement for 6 horns and rhythm section is sprinkled with stop time breaks and catchy riff...

This classic funk tune from the '70s was written by Stevie Wonder, but became a huge hit for Rufus and Chaka Khan. Featuring a slow and driving pulse with heavily syncopated figures, this chart provid...

Jede Band braucht einen guten Funktitel in ihrem Repertoire - und 'Mr. Funkyman!' von Mark Taylor erfüllt genau diesen Zweck. Im moderaten Tempo entfalten sich hier die kraftvollen Riffs und Einwürfe...

Full of colorful and expressive harmonies, your choir will find deep beauty in this setting of a treasured spiritual. This moving testament of hope is supported beautifully by the piano accompaniment,...

From the landmark album Aja recorded by Steely Dan in 1977 here is an outstanding version for big band set in a moderate funk style. The chart opens with a duet for tenor and trombone, followed by the...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Recorded by Grover Washington Jr. with Bill Withers, this tune helped define the 'smooth' jazz sound. Silky smooth and well orchestrated, this is a nice addition to any concert program.

1st Trpt. written top note: D3 Grade 3 (Mittelstufe) Carole King ist eine bedeutende US-amerikanische Songschreiberin, Sängerin und Pianistin. 1977 widmete sie auf ihrem Album 'Simple Things' der inte...

Get down and get funky! Lots of punchy brass and a hip, modern rhythm section groove are two of the components that make this Funk-rock chart a winner. There is a suggested written solo for Guitar wit...

Get down and get funky! Lots of punchy brass and a hip, modern rhythm section groove are two of the components that make this Funk-rock chart a winner. There is a suggested written solo for Guitar wit...

From the brassy intro to the final flashy ending, this one is funk through and through. The main tune is presented in crunchy two part horn writing with Alto Saxophone and Trumpet leading the way. Thi...

From the brassy intro to the final flashy ending, this one is funk through and through. The main tune is presented in crunchy two part horn writing with Alto Saxophone and Trumpet leading the way. Thi...

A trendy funk groove, solos for alto sax and trumpet, and solid ensemble writing make this a winner in anyone's book! As the title implies, playing with controlled intensity and momentum throughout ar...

High energy, happy Funky/Hip Hop that sounds much harder that the written parts. Simple, contemporary changes make solos a breeze.

A powerful funk chart is very well written and offers a contemporary sound your students will love with a two chord solo section that all of your students can handle. Includes an optional flute part....

Another winner to follow the success of Mike's 'Barbeque Wings' and 'Barbeque Sauce.' Based on slightly altered blues changes, a funky intro sets up this great chart but strays occasionally with some...

This driving Rock/ Funk/ Ballad/ Blues is Thad's' tour de force which captures the essence of life in a part of New York City in the 1970's. Carefully re-scored to be playable by high school and devel...

Slow Funk - Part of Thad's 'Suite For Pops'

Another great chart to add to the every-growing Pat Metheny Series, Bob Curnow has arranged this down-right funk tune originally recorded on the PMG album 'We Live Here.' Set in the pocket of a medium...

Lots of strutting, plucking and general good feeling in this one. Maybe the last of the Hooper chicken charts. Always room for plenty of improvisation and roaring ensembles, blasting through the high-...

Peter Kleine Schaars verwendete in dieser dreiteiligen Komposition die Initialen seines Auftraggebers, dem Bund Deutscher Blasmusikverbände (BDB). Auf dieser Tonfolge beruhend erklingen nacheinander e...