Mittelschwere Geistliche Musik-Noten

King Of Kings is a wonderfully spirited Easter anthem, composed by Caleb Simper, for four-part (SATB) chorus of mixed voices, with a baritone and soprano (or tenor) solo.

English translation provided. Arranged for SATB Choir and Piano by Kenneth Downing.

For SATB Choir and Organ, edited by Carl F. Mueller.

A delightful setting of the Psalm 67 by John Ness Beck, for SATB Choir with Organ or Piano accompaniment. The piece begins in a gentle, reverent tranquility with hushed dynamics, gradually building in...

This joyous introit sets words from Psalm 95 and features recitative-like melodies, striking harmonies, and fluctuating metre. The flexible scoring facilitates performance by SATB choir, unison voices...

This sombre and evocative 'Stabat mater' is taken from Passion Music, a concert and liturgical work that continues Todd's fusion of jazz and choral music so successfully blended in his Mass in Blue.

This is a substantial setting of the canticles of Mary and Simeon, suitable for performance in both concert and liturgical settings. The choral writing features fugal counterpoint and a chromatic soun...

This is a substantial setting of the canticles of Mary and Simeon, suitable for performance in both concert and liturgical settings. The choral writing features fugal counterpoint and a chromatic soun...

Trevor Westons Vertonung des Magnificat und des Nunc Dimittis mit englischem Text ist ein glorreicher Beitrag zur reichen Tradition der Abendgottesdienste für Chor. Das im Kanon von Vaughan Williams u...

This edition is based on compositions for Boys' (mixed) choir, handbells and six orchestra percussionists written in 2004 as a program for Riga Cathedral boys' choir CD recording, lead by conductor Ma...

This edition comprises 5 motets for boys' (mixed) choir, handbells and six orchestra percussionists and 3 motets a capella written in 2004 for recording of Riga Cathedral boys' choir CD ''Domus mea'',...

This new edition of one of the choral repertoire's most famous works includes an English translation of the Latin pronunciation guide, and historical and performance notes provided by the editor. Clas...

A new classic from Donald Moore: a skillfully arranged version of the famous Bach/Gounod 'Ave Maria. ' Your choir will sound impressive singing these lyric lines and rich harmonies set to an 'Alleluia...

A new classic from Donald Moore: a skillfully arranged version of the famous Bach/Gounod 'Ave Maria. ' Your choir will sound impressive singing these lyric lines and rich harmonies set to an 'Alleluia...

Premiered in April of 2004 at Carnegie Hall, this exuberant festival piece by revered composer and conductor Sally K. Albrecht is not to be missed! Open your next concert with this majestic fanfare th...

Mozart / ed. Manney

Gabriel Urbaine Fauré (1845-1924) war einer der bedeutendsten französischen Komponisten seiner Generation, und sein Musikstil beeinflusste viele Komponisten im 20. Jahrhundert. 1881 komponierte Fauré...

Die Kantate " Wie schön leuchtet der Morgenstern" (BWV 1) entstand zum 25. März 1725, an dem das Fest Mariae Verkündigung mit Palmsonntag zusammenfiel. Sie bildet den Abschluss des Bachschen Choralkan...

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Klarinette in b, Streicher, Basso continuo. Klavierauszug; Urtextausgabe

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Klarinette in b, Streicher, Basso continuo. Klavierauszug; Urtextausgabe

Kantate zum 3. Sonntag nach Trinitatis. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Trompete (3), Posaune (4), Pauke, Violine (2), Viola, Basso continuo - Klavier...

Die Kantate "Ich hatte viel Bekümmernis" entstand um 1713 und wurde vom Komponisten vermutlich im selben Jahr an der Liebfrauenkirche in Halle erstmalig aufgeführt. Die Zuordnung zum dritten Sonntag n...

Kantate zum 1. Ostertag (Weimarer und Leipziger Fassung). Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, 1 (3) Ob, (Englischhorn, Fagott), Trompete (3), Pauke, Streicher, Basso continuo

Johann Sebastian Bachs Kantate "Der Himmel lacht! Die Erde jubilieret" BWV 31 entstand in Weimar für den Sonntag des 21.April 1715. Der Text von Salomon Franck knüpft eng an das Osterevangelium an. ln...