Mittelschwere Geistliche Musik-Noten

This unusual setting uses a fresh text excerpted from the book, Back to the Ethic: Reclaiming Western Values by Diane Weber Bederman (Mantua Books, 2015). The music is very much a text painting, shift...

This meditative work uses stunning harmonies and chant-based melody to evoke the text of the adoration of Mary.

This a cappella piece with original music by Yani Araujo is a unique setting of a timeless sacred text given new life with tight harmonies that are simple, yet stunning. A breathtaking composition tha...

3 Motetes (3 Motetter For A Capella Kor) for Mixed Choir SATB was composed by Bent Sorensen in 1985. Text: Psalms 108, 64 and 101.

A bright choral fanfare based on Matthew 5:14-16. Part of the Washington National Cathedral Series.

Der Abendhymnus, Te lucis ante terminum, wird beim "Amt der Komplet" gesungen, das auch als "Gebet am Ende des Tages" bezeichnet wird. Sein genauer Ursprung ist unbekannt, obwohl eine Version davon in...

Jesu, Priceless Treasure is one of very few Bach motets which are in five parts. Of all of Bach's motets it is the longest, the most varied, and has the greatest emotional range. It is founded on the...

This work for divisi mixed voices was written in 2004 and is a setting of the hymn long used as one of the antiphons for the washing of feet on Maundy Thursday. This work featured on Classic FM's play...

Anthem for SATB Choir A Cappella. Text: Robert Herrick

The Magnificat was written in 1982 in response to a commission from Christ Church College, Oxford, whose choir first performed it under their conductor Francis Grier in July of that year. At that time...

Drop, Drop, Slow Tears is a choral piece for unaccompanied SATB (Soprano/Alto/Tenor/Bass) chorus composed by Graham Ross in 2003. First performed by the Royal College of Music Junior Chamber Choir, Dr...

For double SATB chorus unaccompanied This is Stanford's extended Latin setting of this text, written in 1918 and acknowledged as its composer's finest a cappella choral work. Duration: 12 minutes Diff...

A 22-minute, 9-movement work taking its text from various Requiem sources and teh BCP Funeral sentence. Each movement can stand alone (effectively creating 9 anthems), or the whole can be used for con...

I toiled hard on this, being the 8th movement of Requiem Aeternam (TKM201)! It was worth it though because here is a piece of immense power! TKM818, which is the first movement of this piece is now fe...

A rhythmic and exiting setting that captures the joyful spirit of this traditional Latin text. Fantastic vocal writing that will be a nice challenge for your choir. Jo-Michael Scheibe Choral Series

A song of celebration, expression, and praise for all that has been and all that is yet to come. Rhythmic, lyric, and fanfare-like, this is an excellent choice for more advanced choirs.

This is a tremendously fun and interesting setting of Elijah by beloved composer Stacey V. Gibbs. Virtuosic and challenging, this requires a strong and developed ensemble, and the result is well worth...

Die kompositorische Stimme des indonesischen Komponisten Ken Steven erstrahlt in dieser rhythmischen Vertonung des beliebten lateinischen Textes. Die Überlagerung von Stimmen, pulsierende Momente und...

Der lateinische Text von Ubi Caritas wird hier von Ken Steven wunderschön vertont. Für fortgeschrittene Schul-, Gemeinde- und Hochschulgruppen wird Ihr Chor mit dieser berührenden Komposition Erfolg h...

Gloria von Nilo Alcala ist ein strahlendes Werk für SATB-Stimmen, das zeitgenössische Harmonien, rhythmische Vitalität und reiche melodische Linien miteinander verbindet. Alcalas durchdachte Kompositi...

Gloria is one of Hyo-Won Woo's most popular works as it draws from many recognizable western musical elements such as development, imitation, counterpoint, and ornamentations modified to imitate their...

Movement three from Hyo-Won Woo's Gloria, Cum Sancto Spiritu combines western musical concepts with the traditional Korean musical scale and rhythmic patterns. An incredibly dynamic setting of this we...

Movement 7 from 'Revelation. ' Exciting and dynamic; would make an excellent concert opener. Recording Choir: Elora Singers; Noel Edison, conductor