Mittelschwere Klassik-Noten

A short instrumental section from Richard Wagner's opera Lohengrin with a principal part for the brass section.The transcription is made by Geert Mooren. (Concert Band)

Ein kurzer Instrumentalteil aus Richard Wagners Oper Lohengrin mit einer Hauptstimme für die Blechbläser, transkribiert von Geert Mooren. (Konzertband)

Felix Mendelssohn (1809-1847) composed two concertpieces - Konzertstücke - opus 113 and 114 for clarinet, bassethorn and orchestra. These works were dedicated with much respect to the clarinettists Ba...

Felix Mendelssohn (1809-1847) komponierte zwei Konzertstücke - Konzertstücke - opus 113 und 114 für Klarinette, Bassethorn und Orchester. Diese Werke wurden mit großem Respekt den Klarinettisten Baerm...

Felix Mendelssohn (1809-1847) composed two concertpieces - Konzertstücke - opus 113 and 114 for clarinet, bassethorn and orchestra. These works were dedicated with much respect to the clarinettists Ba...

Felix Mendelssohn (1809-1847) komponierte zwei Konzertstücke - Konzertstücke - opus 113 und 114 für Klarinette, Bassethorn und Orchester. Diese Werke wurden mit großem Respekt den Klarinettisten Baerm...

George Gershwin's Opera Porgy and Bess contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of thos...

George Gershwins Oper Porgy and Bess enthält viele Lieder, die nicht nur in der Oper, sondern auch im Jazz und Blues zu Standards geworden sind. Einer dieser Songs ist die Arie I got plenty o'nuttin',...

George Gershwin's Opera Porgy and Bess contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of thos...

George Gershwins Oper Porgy and Bess enthält viele Lieder, die nicht nur in der Oper, sondern auch im Jazz und Blues zu Standards geworden sind. Einer dieser Songs ist die Arie I got plenty o'nuttin',...

Li¨ sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is. (Soprano and Concert Band)

Li¨ sst ihre Arie Tu che di gel sei cinta gegen Ende von Puccinis Oper Turandot erklingen. Sie sagt Turandot, dass auch sie lernen wird, was Liebe ist. (Sopran und Konzertband)

Li¨ sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is. (Soprano and Concert Band)

Li¨ sst ihre Arie Tu che di gel sei cinta gegen Ende von Puccinis Oper Turandot erklingen. Sie sagt Turandot, dass auch sie lernen wird, was Liebe ist. (Sopran und Konzertband)

The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...

Das Konzert für Fagott in B-Dur, KV 191, ist das früheste erhaltene Bläserkonzert von Wolfgang Amadeus Mozart. Es scheint nicht sehr abenteuerlich und konventionell zu sein, aber wir dürfen nicht verg...

The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...

Das Konzert für Fagott in B-Dur, KV 191, ist das früheste erhaltene Bläserkonzert von Wolfgang Amadeus Mozart. Es scheint nicht sehr abenteuerlich und konventionell zu sein, aber wir dürfen nicht verg...

When Rossini's Opera Matilde di Shabran was premiered in Rome in 1821, it was billed as a 'melodrama giocoso', somewhere between an Opera Buffa and an Opera Seria in character.In 1822 it was given in...

When Rossini's Opera Matilde di Shabran was premiered in Rome in 1821, it was billed as a 'melodrama giocoso', somewhere between an Opera Buffa and an Opera Seria in character.In 1822 it was given in...

This Tsar Boris was the same Boris Godunov who was celebrated by Pushkin and immortalized by Mussorgsky, and Kalinnikov's (1866-1901) resplendent piece is aptly endowed with Tsarist pomp and circumsta...

This Tsar Boris was the same Boris Godunov who was celebrated by Pushkin and immortalized by Mussorgsky, and Kalinnikov's (1866-1901) resplendent piece is aptly endowed with Tsarist pomp and circumsta...

Jago's Credo from Giuseppe Verdi's Opera Otello, is sung at the beginning of the second act: a venomous expression of evil and, so to speak, of negative belief. He sings his creed: 'I believe in a cru...

Jagos Credo aus Giuseppe Verdis Oper Otello wird zu Beginn des zweiten Aktes gesungen: ein giftiger Ausdruck des Bösen und sozusagen des negativen Glaubens. Er singt sein Glaubensbekenntnis: "Ich glau...

Jago's Credo from Giuseppe Verdi's Opera Otello, is sung at the beginning of the second act: a venomous expression of evil and, so to speak, of negative belief. He sings his creed: 'I believe in a cru...