Mittelschwere Noten für Big Band und Jazz-Orchester

This chart starts out in a blaze of excitement and never eases off. It features tenor sax and trombone on the melody, with solo space for alto and trumpet as well. This was featured on the famous Mess...

Neil Slater, the Director of Jazz Studies at the University of North Texas, is a superb composer. This chart will be a lot of fun for your band to play. The piece is set in such a way that it is movin...

Feat. Vibraphon / Sax-Section.

Recorded on the Vic Lewis West Coast All-Stars play the music of Bill Holman (MOLE JAZZ CD 14) by an exciting lineup of L.A.'s best, Sizzler is an up-tempo, straight-ahead jazz chart with solo space f...

A re-scoring of a Kenton original (richer harmony, better key). Soft flugel opening building to a tremendous climax. Can be programmed at any community or school event. JUST RECORDED BY THE WONDERFUL...

As commissioned (and recorded) by the SWR Big Band of Stuttgart, Germany, this is a lovely, easy-flowing piece that moves from a ballad (lullaby) to a waltz (featuring trombone and alto saxophone) and...

This tune is based on the changes to 'I'm Getting Sentimental Over You' but at a medium swing tempo.

Diese Nummer beginnt mit einer langsamen Unisonomelodie in den Saxofonen, die zu einer Reprise des Hauptthemas im ganzen Register führt. Ein Wechsel zur 'Double Time' führt dann zu den Tenorsaxofon- u...

Tom Molter has composed an exciting and compelling piece akin to the big-band charts inspired by the music of Pat Metheny. 'Apollo's Reel' is set in a bright 3/4 feel with temporary shifts to a 4/4 sw...

A great title and an even better chart! Fred has created a tune which is hard to forget, along with a terrific arrangement that has very reasonable ranges for all (1st trpt. written A). Tenor sax solo...

One of the Basie-style charts that Les is so great at writing.Piano is featured, along with not-difficult ensemble passages that will highlight the tightness of your ensemble. Very reasonable brass ra...

There is always room for a jazz waltz, and you will love this one. There is lots of solo space, flexible and available. This was featured on Hooper's first LP Look What They've Done, on Creative World...

Les calls this funky, fire-spitting rock! This is another off the Hooper chicken rock charts. The style that Hooper has created in this type of tune is very unique and very exciting! (full score incl....

Jazz Big Band Arrangement. Full Score, Reed 1: Flute/Alto Saxophone, Reed 2: Alto Saxophone/Clarinet/Flute, Reed 3: Tenor Saxophone, Reed 4:Tenor Saxophone/Clarinet, Reed 5: Baritone Saxophone/Bass Cl...

> Easy to read lesson explains dominant ninth chords on I-Bb, IV-Eb, and V-F in a 12 and 16 bar Bb blues format. > Mixolydian mode introduced and suggested improv examples given on each chord for prac...

Andy Farber hat den Blue-Note-Sound der frühen und mittleren 1960er Jahre mit dieser aussergewöhnlichen neuen Nummer genau getroffen. Sie weist eine Combo in der Band auf (bestehend aus Trompete, Teno...

Duke Ellington's Come Sunday, arranged by Mike Tomaro for Jazz Ensemble. Come Sunday was originally composed as part of Ellington's suite Black, Brown andBeige. After a disappointing critical respons...

Lieferumfang 5 sax, 4 tp, 4 tb, piano, guitar, bass, drums, Partitur und Probenerläuterung

Bei dieser Komposition von Wolfgang Schlüter handelt es sich um einen erdigen 12/8-Blues. In dem vorliegenden Arrangement wurde das Stück schon von zahlreichen Big Bands gespielt, u.a. von der NDR-Big...

Lieferumfang 5 saxes, 4 tp, 4 tb, piano, guitar, bass, drums, Partitur und Probenerläuterung