Mittelschwere Noten für Chor divers: Anspruchsvolle Auswahl für Ihr Ensemble

Shortly before his death, Giovanni Pergolesi moved to the Franciscan monastery in Pozzuoli, where he composed his last works. Among these is his Stabat Mater which reveals the infusion, into church co...

Dream-Songs is a short cycle of settings of Walter De La Mere, suitable for solo voice but ideal also for children's voices to sing in unison. Bennett's atmospheric music provides an imaginative foil...

This work was composed for the Young People's Chorus Of New York, and based upon an anonymous 18th Scottish ballad, Sweet William's Ghost. The work was first performed by the Young People's Chorus Of...

The first complete volume of Henry Purcell's Catches to appear in Purcell Society Edition since 1922. The new edition lays particular emphasis on accuracy and performance and includes a comprehensive...

A beautifully-presented, cloth-bound full score of Purcell's Catches. This new edition lays particular emphasis on accuracy and performance, and includes a comprehensive commentary. Paperback edition...

The popular and lively traditional air, arranged for Unison voices, with descant and Piano accompaniment by Thomas Dunhill.

For Unison Voices and Piano accompaniment. Text: Marion May.

For Unison Voices and Piano accompaniment. Music adapted from an old English melody by Thomas Dunhill. Text: Rose Fyleman.

Mendelssohn's I Waited For The Lord (The Hymn Of Praise) arranged for two high voices in the Key of D. Although it is often performed as a seperate work, The Hymn Of Praise was originally written as p...

Humorous part-song for SS (or SA) chorus, with words written by F. E. Weatherley and music composed by Sir Frederick Bridge. Includes piano accompaniment for rehearsal purposes.

From the cantata King Olaf, with words by Longfellow. Adapted for two-part choir from the composer's SSA arrangement.

A celebratory song herlding the approaching summer, based upon a text by S. Longfellow and written for the upper voices with Piano accompaniment.

Adapted from an old Fench song by Robert Elkin, using words by Georgina Tanner. For unison voices and piano accompaniment.

Written for unison with piano accompaniment. The words, by Marjorie Kirtley, are from Twelve Happy Months. Eric Harding Thiman, the organist and composer, died in London on February 13 1975; he was 74...

The words of Psalm 130 paraphrased by David Walser.

Carol set to 15th Century anonymous text. Most effictively sung by Sopranos only, although other parts can be incorporated.

Thou Must Leave Thy Lowly Dwelling, the Chorus from The Childhood Of Christ arranged as a two-part song for soprano and alto voices by H. A. Chambers with words by Paul England.

A Unison part (with some divisions into two parts) for Unison voices in the key of B Flat, arranged for use with the original edition for Choir and Organ by C. S. Lang.

Magnificat and Nunc Dimittis is scored for Boy's voices with organ set to music in the key of G.

With text by William Blake, this is Ronald Corp's contemporary setting of the Cradle Song for two Sopranos and Piano.

Originally written for five Voices, SATTB, this arrangement of Thou Wilt Keep Him In Perfect Peace is simplied and arranged for Soprano and Alto Voice and Piano. Nineteenth century composer and Organi...

A Welsh Prayer is a setting of a poem by Grahame Davis for SATB Choir and two Harps composed by Paul Mealor. A Welsh Prayer was commissioned by Holywell Music and the North Wales International Music...