Mittelschwere Noten für Frauenchor: Anspruchsvolle Sätze für Ihr Ensemble

Standin' In De Need Of Prayer, a Negro Spritual arranged for Upper Voices with soloist by Brian Trant.

Elizabeth Maconchy's Prayer Before Birth for SSAA a cappella, with words by Louis MacNiece.

Set for unaccompanied upper voices, this piece by Carol Barratt features an updated English language version of the sacred text. It was commissioned by Gordon Pullin and the Madrigal Choir of Notting...

The inspiring journey of the three kings to Bethlehem is beautifully told through words and music in Peter Maxwell Davies' wonderful setting of George Mackay Brown's text. The piece is arranged for SS...

This is a wordless work for treble solo and SAA choir by Michael Nyman.

The Twenty-Eight Times is a Vocal piece composed by British composer and conductor James Whitbourn. The Twenty-Eight Times was commissioned by the United Westminster Schools and Grey Coat Hospital Fou...

The popular carol Silent Night arranged by H. Geehl for three part SSA.

Arranged for SSA Choir and Piano by Henry Geehl.

With lyrics written by the composer, Two by Two is a light-hearted take on Noah's Ark. It features the usual animals, but also many unexpected ones including extinct and even mythical ones. The music...

Night Vision was commissioned by Persephone Singers, a women's choir in Whitehorse, Yukon, directed by Barbara Chamberlin. It was premiered on May 2, 2015 at the Yukon Arts Centre in Whitehorse. This...

Stephen Chatman's Train for SSAA chorus is an arrangement from his original set, Due West for SATB chorus, commissioned by the Vancouver Chamber Choir in 1997. The simple, charming text by Tara Wohlbe...

Three Pieces for Chanukah is not so much a set of arrangements of familiar words and tunes than it is a set of original compositions based on them. The first two settings feature jazz-influenced, clas...

Three Pieces for Chanukah is not so much a set of arrangements of familiar words and tunes than it is a set of original compositions based on them. The first two settings feature jazz-influenced, clas...

The opening lines, 'Listen, I love you. Do not turn your face / Nor touch me. ', reflect the somber feelings encompassing Sara Teasdale's poem. Paired voices initially express contrapuntal melodic lin...

Stephen Chatman's setting of Sara Teasdale's whimsical poem pertaining to a brown-thrush, April, love and kisses, emulates the meaning, strict rhythm, rhyme and strophic structure of the text. The sof...

Sara Teasdale's poem, Oh day of fire and sun, suggests a loud, fast musical setting. The syncopated homo-phonic choral texture, with high tessituras, exudes drama and excitement: it balances the expan...

Sara Teasdale's poem, The Mystery, depicts deep lasting love - 'Your eyes drink of me' and 'We have long been lovers'. It also raises a question - 'Can I ever know you / Or you know me?' Stephen Chatm...

The opening line of Sara Teasdale's poem, After Love, 'There is no magic any more, ' establishes the theme of vanishing love. Stephen Chatman's setting of the poignant text, in the key of E flat major...

This piece is a fast, joyous outburst. The initial lines, 'I am wild, I will sing to the trees' set the jubilant tone. The perpetual motion of the syllabic step-wise vocal lines is punctuated by stacc...