Mittelschwere Noten für Frauenchor: Anspruchsvolle Sätze für Ihr Ensemble

Released in 2007, this original setting of an anonymous 19th-century text is written in verse-anthem style. The scoring for chorus, harp, and keyboard makes it an ideal companion piece for Britten's A...

The text for this carol was inspired by the priest Phillips Brooks' visit to Bethlehem in 1895. It was set to music by his organist at Trinity Church, Boston, Lewis Redner, in 1868. The arrangement us...

The opening lines, 'Listen, I love you. Do not turn your face / Nor touch me. ', reflect the somber feelings encompassing Sara Teasdale's poem. Paired voices initially express contrapuntal melodic lin...

Stephen Chatman's setting of Sara Teasdale's whimsical poem pertaining to a brown-thrush, April, love and kisses, emulates the meaning, strict rhythm, rhyme and strophic structure of the text. The sof...

Sara Teasdale's poem, Oh day of fire and sun, suggests a loud, fast musical setting. The syncopated homo-phonic choral texture, with high tessituras, exudes drama and excitement: it balances the expan...

Sara Teasdale's poem, The Mystery, depicts deep lasting love - 'Your eyes drink of me' and 'We have long been lovers'. It also raises a question - 'Can I ever know you / Or you know me?' Stephen Chatm...

The opening line of Sara Teasdale's poem, After Love, 'There is no magic any more, ' establishes the theme of vanishing love. Stephen Chatman's setting of the poignant text, in the key of E flat major...

This piece is a fast, joyous outburst. The initial lines, 'I am wild, I will sing to the trees' set the jubilant tone. The perpetual motion of the syllabic step-wise vocal lines is punctuated by stacc...

The text by Edna St. Vincent Millay, speaks of a youthful all-night adventure riding the ferry back and forth with no destination in mind. There is much back-and-forth in the musical setting, to a swa...

Nach 'Nunc dimittis' (ED20242) und 'Magnificat' (ED20150) hat Naji Hakim mit 'Verbum caro factum est' (Und das Wort ist Fleisch geworden) ein drittes geistliches Werk für drei hohe Stimmen und Orgel v...

Hungary has a thousand-year-old tradition of reverence for the Virgin Mary. In the course of the centuries the Church has found more and more occasions for the celebration of Mary. The greatest is the...

The wonderful How Lovely Are The Messengers, taken from the Oratorio St. Paul. Arranged here for Soprano, Mezzo Soprano and Alto Voices with Piano accompaniment by Max Spicker.

This arrangement of the Appalachian Carol by John Jacob Niles and Gwynn S. Bement was comissioned for the Elmira College Glee Club and is for a Soprano soloist and Upper Voices (SSA). A piano reductio...

Version for Medium Voice and Upper Voices.

A Choral Scherzo on a well-known tune for Full Chorus of Women's Voices (SSA).

For Three-Part Chorus of Women's Voices (SSA) with Organ or Piano Accompaniment. Edited from the autograph score by Reinhard G. Pauly with a choice of Latin or English text.

A beautifully graceful and moving song taken from the Opera Andrea Chenier and arranged especially by Emile Serposs for SSA Chorus with Piano Accompaniment.

A lively traditional Spanish Dance Carol which has been arranged for SSA with an optional piano accompaniment by Alice Parker and Robert Shaw. Great fun for both choirs and audiences and a welcome cha...

Edited and arranged for 3-Part Chorus of Women's Voices by Jerry Weseley Harris. English text alternative provided.

A celebratory choral song by the British post-war composer that is fully adaptable for the upper and lower voices, either as indiviual groups or in full mixed chorus. SSA, TBB or SSATBB.

Arranged for SSA choir by Percy Fletcher. The piano part is for rehearsal only.

This short benediction, set to familiar words from Corinthians, Thessalonians and the first book of Peter, is an enduring favourite. Informally known as the Navy blessing or the Scottish blessing, the...