Mittelschwere Noten für Gemischter Chor

Paris Barantai, from South Kalimantan, is about a yearning for a loved one who you have not seen in a long time. This arrangement by Indonesian composer Ken Steven is a tremendous way to connect your...

This is a tremendously fun and interesting setting of Elijah by beloved composer Stacey V. Gibbs. Virtuosic and challenging, this requires a strong and developed ensemble, and the result is well worth...

Die kompositorische Stimme des indonesischen Komponisten Ken Steven erstrahlt in dieser rhythmischen Vertonung des beliebten lateinischen Textes. Die Überlagerung von Stimmen, pulsierende Momente und...

Der lateinische Text von Ubi Caritas wird hier von Ken Steven wunderschön vertont. Für fortgeschrittene Schul-, Gemeinde- und Hochschulgruppen wird Ihr Chor mit dieser berührenden Komposition Erfolg h...

Gloria von Nilo Alcala ist ein strahlendes Werk für SATB-Stimmen, das zeitgenössische Harmonien, rhythmische Vitalität und reiche melodische Linien miteinander verbindet. Alcalas durchdachte Kompositi...

Gloria is one of Hyo-Won Woo's most popular works as it draws from many recognizable western musical elements such as development, imitation, counterpoint, and ornamentations modified to imitate their...

Movement three from Hyo-Won Woo's Gloria, Cum Sancto Spiritu combines western musical concepts with the traditional Korean musical scale and rhythmic patterns. An incredibly dynamic setting of this we...

Movement 7 from 'Revelation. ' Exciting and dynamic; would make an excellent concert opener. Recording Choir: Elora Singers; Noel Edison, conductor

The artistry and sophisticated technique of composer Daniel Knaggs is showcased here in O Praise the Lord. Ascending vocal lines imitate praises being lifted while rhythm abounds. For more advanced ch...

A dramatic Poe poem is set here by Slovenian composer, Andrej Makor. With themes of adventure, bravery, and seeking something beyond the ordinary. With divisi, but written with skill, making it achiev...

Brent Wells has created a beautiful musical setting of Paul Laurence Dunbar's words, inviting us to love one another regardless of our circumstance. For more advanced choirs.

A shortened version of of Sandstrom's 2003 Gloria for advanced choirs. This is a beautiful soundscape that expresses glory to God.

Empire of Blue uses the traditional hymn The Lone Wild Bird as a bookend to explore how small moments in life, can help us understand our place in the world. This work combines folk melodies with cont...

Premiered by the University of Miami Frost School of Music’s Chamber Singers in 2022, Domine Deus is a fast-paced work with a unique meter. While short, it is rich with modal inflections modulations,...

Lithuanian-American composer Kęstutis Daugirdas has set this beloved Latin text with exhuberant character, energy, vitality, and joy. A truly inspiring work, Plaudite, Psallite is a wonderful selectio...

Rise, My Soul is a traditional folk hymn arranged for intermediate to advanced voices. The use of melodic lines and fragments as the basis for the counterpoint make this work singable and compelling....

O Sapientia is a work centered around the O Antiphons of the advent season and the carol Veni Veni Emmanuel with a message of unity. This unaccompanied SATB setting will be a new and fresh addition to...

Awake, Arise wurde vor fast 500 Jahren geschrieben und in dieser Fassung von Kyle Pederson neu interpretiert. In dieser Version wurde die Melodie reharmonisiert, die Rhythmen wurden verändert und der...

Nach dem Vorbild von Bachs Erfindungen für Tasteninstrumente - und als Hommage an diese - beschäftigen sich die Inventionen für Chor mit den fünf Fingern einer Pianistenhand. Jeder Finger erhält ein a...

O Heiland, reiß die Himmel auf' from Two Motets Op. 74. This motet is based on the old German Catholic song of the same name. For SATB Choir A Cappella. English and German texts.

Nach einem Marienlied aus dem 15. Jahrhundert auf eine Melodie aus dem Andernacher Gesangbuch (Köln 1626) und einen Text von Daniel Sudermann (um 1626)

From Four Double Choruses for Mixed Voices, A Cappella by Robert Schumann Op. 141.