Mittelschwere Noten für Gemischter Chor

Edited by Collins.

Motet for five voices (SSATB) for the feast of the Nativity of Our Lord.

Memento Creatoris, an anthem for SATB choir was comissioned by the BBC Transcription Service for the Aldeburgh Festival in 1967.

Palestrina is one of the towering figures of late Renaissance church music whose polyphonic compositions remain actively performed in the Choral repertoire. He composed more than 250 motets. This one,...

Antiphon of the Blessed Virgin for five voices. Edited by Anthony G. Petti.

This work was commissioned by the Chester Summer Music Festival for Stephen Wilkinson and the BBC Northern Singers. The first performance was given as part of a concert at Chester Town Hall on 23 July...

These settings were written to a commission from the Southern Cathedrals Festival and first performed in Salisbury Cathedral on 24 July 1976 by choirs of Salisbury, Winchester and Chichester Cathedral...

Tenebrae Responsory for Good Friday. Edited by Bruno Turner.

A divine allegory, pondering on the mystery of the incarnation as described by St. Ephrem the Syrian. For mixed chorus, semichorus (TB), handbell and organ.

Commissioned by the International Organ Festival Nürnberg Musica Sacra to celebrate its fiftieth anniversary. If this glorious, full-blooded, passionate oratorio doesn't pierce, wound and ravish even...

Tag des Jahrs for mixed choir and electronics was commissioned by the Tapiola Chamber Choir and the Helsinki Chamber Choir Week, with support from the Madetoja Foundation and the National Council for...

Atma Mass was commissioned by Liverpool Cathedral for the Centenary of the Laying of the Foundation Stone. First performance on 18th July 2004 at the Centenary Eucharist, by the choir of Liverpool Cat...

A work written for double choir set to words from the Latin prayer Salve Regina and a German poem Stella Matutina.

Peter Maxwell Davies sets Barbara Newman's translation of a text by Hildegard von Bingen, for SATB chorus and Organ. The work was commissioned by Epsom College to celebrate the one hudred and fiftieth...

Written for SATB choir and organ. Commissioned by the Norfolk and Norwich Festival and first performed on Saturday 6 May 2006 by the Festival Chorus and Academy of Ancient Music conducted by John Apli...

Kali-Yuga is a short, symbolic piece for choirs, representing in a simple, almost child-like way the last days of the Kali-Yuga - the Dark Age of Hinduism. We live in these days. The 'ugliness' of the...

Written for SSATBB choir.

Commissioned by King's College Cambridge with generous funding from Donald Stewart in memory of his wife, Beryl. First performed at the Advent Procession Service on Sunday 26th November 2006, given by...

Were You There? was expertly composed by James Whitbourn for SATB Chorus and Organ. The piece was written for Stephen Cleobury and the Choir of King's College, Cambridge. British composer and conducto...

Commissioned for Choral Arts Northwest who gave its premiere performance in 2011 under their artistic director, Robert Bode. The music is primarily contrapuntal in texture, and its tonal language feat...

Written in 2010 in honor of the 30th anniversary season of Winchester (Virginia) Musica Viva, who gave its premiere performance under their music director, Kenneth Nafziger. The piece begins simply wi...

In 2002, I was commissioned by the Turtle Creek Chorale to compose a three-movement star-themed piece for their upcoming 'celestial' concert. I immediately knew that I wanted strings and celeste to se...