Mittelschwere Noten für Gemischter Chor

Carol for SATB Choir A Cappella. Choice of English or Latin text.

For SATB Choir A Cappella.

A Madrigal for SATB Chorus A Cappella, edited by Dennirs R. Woodhall.

For SAB Voices A Cappella.

This book of twelve five-part mixed choruses has been put together and edited by Alfred Einstein. Although it illustrates historically the development of the madrigal over a period of sixty years, the...

Jerusalem for SATB choir a cappella. Edited by Gregg Smith.

Three texts from Shakespeare combine in a creative and colorful suite for a cappella mixed chorus. Includes: It Was a Lover and His Lass, Oh Mistress Mine, Daffodils. Recorded by The New York Virtuoso...

Part of a larger work, Requiem for Peace, this piece was built on a cantus firmus melody by Kuni Murai and honors the suffering civilians of the world who have been caught in the cross fire between wa...

THE GIFT WAS CREATED WITH THE LONG, WARM REVERB OF A CATHEDRAL IN MIND. THE REQURED THE COMPOSER TO CREATE SPACES IN THE MUSIC WHICH LEAVE ROOM FOR ECHOING RESONANCE. IT IS DREAMLIKE AND IMPRESSIONIST...

Dale Warland Choral Series A Lover's Journey is a set of four pieces which chronicles the extraodinarily commonplace yet supremly elegant story of love and valentining. Written as a Valentine to The K...

Dale Warland Choral Series A Lover's Journey is a set of four pieces which chronicles the extraodinarily commonplace yet supremly elegant story of love and valentining. Written as a Valentine to The K...

Five popular spirituals, arranged for a cappella SATB chorus. Includes Piano part for rehearsal purposes.

The traditional Scottish folk tune O Jeanie, There's Naething To Fear Ye arranged by Gregg Smith for SATB choir a cappella.

Poet and Iraqi war vereran Brian Turner writes moving accounts of the war that are vivid and powerful. Composer Shawn Crouch uses Turner's visceral images of the war but emphasizes the lyrical qualiti...

Poet and Iraqi war vereran Brian Turner writes moving accounts of the war that are vivid and powerful. Composer Shawn Crouch uses Turner's visceral images of the war but emphasizes the lyrical qualiti...

This jaunty little work on a text from William Shakespeare's Love's Labour's Lost, one of his earliest comedies. The tongue-in-cheek text talks of married life and the woe that comes from being unable...

This jaunty little work on a text from William Shakespeare's Love's Labour's Lost, one of his earliest comedies. The tongue-in-cheek text talks of married life and the woe that comes from being unable...

Displaying Chydenius's unique style, I am the great sun is a driven and focused setting of Charles Causley's poem. This is textured choral writing: you'll find imitative passages, melodic and rhythmic...

Setting a text by Walter de la Mare, this tuneful, rhythmic choral work is infused with Scandinavian style. The poem is accompanied by extensive use of scat, giving a modern twist to the forlorn senti...

This beautiful anthem was a winner of the London A Cappella Festival Composition Competition 2012. A sensitive setting of a text by Thomas Campion, it features word-painting, a rich use of harmony, fl...

Setting a heart-breaking wartime text by Wilfrid Wilson Gibson, Pott has created a beautifully poignant piece befitting any Remembrance occasion. Written in memory of Staff Sergeant Olaf Schmid, a bom...

Like as the hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive, and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when p...

This setting of A spotless Rose reflects the wintry starkness of the fifteenth-century text through its minor key and bare upper-voice opening, while the warmth of the full voicing on the words 'light...

In Grown about by fragrant bushes, Skempton sets a poem by Robert Louis Stevenson using gentle, lilting melodies. The theme of loss is sensitively conveyed in a tonal language that is made more expres...

Commissioned by Sonoro for the second instalment of their Choral Inspirations project, McDowall has composed Crucifixus Reimagined as a response to Lotti's Crucifixus from Credo in F. Use of suspensio...