Mittelschwere Noten für Gemischter Chor

This is an Easter arrangement of the traditional French tune, Noel Nouvelet

This piece combines an anonymous (possibly Elizabethan) text with Romans 6:8-11. While suitable for any Sunday, the passage from Romans makes it especially useful in liturgical churches for the later...

Another fine quality work by David Schwoebel, this piece makes a great post Easter anthem.

Ever thought of introducing your choir and congregation to plainsong? Here, Robert Powell takes a 13th century chant and weaves it into a wonderful anthem accompanied by organ and oboe.

New to the Virginia Wesleyan college series, this adaptation from Psalm 95 is a medium-easy work for mixed voices, keyboard, and optional children's choir and hanbells, it is sure to be a hit for musi...

With a unique combination of Psalm 150 and 1 Corinthians, this majestic work for mixed choir with keyboard accompaniment is dedicated to longtime Hinshaw friend and accompanist, Karl Schmidt. This pie...

If Mendelssohn's How Lovely Are The Messengers is a bit outside the reach of your choir, try Carl Nygard's moving setting of texts from Romans and Psalm 119.

A marvelous combination of two hymns, this anthem would be successful for Ascension, Pentecost, or general use.

A fabulous anthem for Pentecost

With dual texts by Wordsworth and Wesley, David Lantz gives us a festive work for Easter Sunday or general use. (Try it with the optional trumpets and timpani!)

This lovely Easter piece for SATB with keyboard has a catchy melodic phrase and a steady rhythm, medium difficulty.

Composer Jonathan Shippey has scored this masterful Easter anthem incorporating the tunes Lancashire and Ellacombe. For mixed voices with keyboard and trumpet, a reproducible congregational part is al...

Pepper Choplin is one of the most prolific composers writing sacred music today. This work for mixed voices with keyboard (or optional orchestra) is full of energy and rhythmic drive, works successful...

Robert Lau is known for his beautiful melodies and exquisite part writing and this arrangement of Psalm 23 is no exception, scored for divisi choir.

This is a fantastic new anthem for Easter! Larry Shackley has set the traditional text by John Mason Neale for mixed choir with organ or optional brass (two trumpets and 2 trombones) and timpani. Avai...

During a period of turmoil and loss Cheryl Taylor wrote the text to this anthem inspired by Psalm 139. Her sister Susan has set the text for mixed voices with a lovely piano accompaniment. This piece...

Looking for a work scored for chorus with brass quintet and organ? This is a real winner by composer Carl Nygard. The text is taken from Psalms 148 and 150. This is a celebratory work appropriate for...

Pepper Choplin is a name well known to church musicians. This anthem, based on Matthew 16:13-18, is scored for mixed chorus with piano or with brass, handbells, and optional congregation. Try this ene...

You have heard this tune and text many times. Here, Dan Forrest creates a fresh work evoking our 19th century American hymn tradition. This would be a terrific festival piece or use it for Pentecost w...

You have heard this tune and text many times. Here, Dan Forrest creates a fresh work evoking our 19th century American hymn tradition. This would be a terrific festival piece or use it for Pentecost w...

Mark Hayes has produced a real winner with this piece. It's great for music ministry Sunday, Trinity Sunday, Pentecost, or even general use. This energetic anthem is scored for mixed voices with eithe...

Looking for something truly unique for Easter morning? This setting, mostly in D minor, is a marvelous transition from the Passion into the joy of Easter. Scored for brass quartet with organ, this mel...

Available for mixed chorus a cappella (divisi) or in this accompanied version (no divisi), Dan Forrest sets the well-known text by Methodist founder John Wesley. The piece is excellent for any service...

Based on Psalm 100 and texts by Christopher Smart, this hymn anthem is scored for mixed voices with organ and trumpet. The congregation also gets to join in for a final stanza with soprano descant.

The texts of Sara Teasdale have proved to be quite effective in choral settings. Here, Richard Waters, director of choral activities at Eastern Kentucky University, sets this colorful text for mixed c...