Mittelschwere Noten für Gemischter Chor

Featuring a text from Proverbs 31:25 30, She That Feareth the Lord is a lyrical setting extolling the virtues of being a woman who is faithful to God. Useful for any service highlighting the role of w...

Composed employing the harmonic vocabulary of Herbert Howells, this setting of the Te Deum was commissioned for the inauguration of the new organ at Ladue Chapel Presbyterian Church in St. Louis, Miss...

The text of Forever Toward You is a translation of a poem by Rainer Maria Rilke (1875 1926) from The Book of Monastic Life. Rilke's poem speaks of a desire to encounter the Creator-the You in the titl...

The Rose Led Us to Our Eyes is a setting of a text by poet Ghalib (1797 1869) as adapted by the composer. The music is relatively uncomplicated and mellifluous.

A modern setting of the well-known and pensive text from Lidley's Prayers. The overall mood is plaintive and atmospheric, with dissonant and distinct harmonies throughout, portraying the penitent and...

The composer has created a new musical setting based on Josiah G. Holland's well known text 'There's a Song in the Air. ' The opening introduction depicts the twinkling stars and beautifully captures...

Nine separate songs, which can be performed individually, yet are ordered for a cohesive flow. The texts span many centuries (1598-1919), and all celebrate music, specifically the joys of singing. Per...

Released in 2007, this original setting of an anonymous 19th-century text is written in verse-anthem style. The scoring for chorus, harp, and keyboard makes it an ideal companion piece for Britten's A...

Commissioned by Hennepin Avenue United Methodist Church in Minneapolis, Minnesota, to celebrate the service of William H. Mathis, Minister of Music and Fine Arts. It was first performed on June 11, 20...

The well-known poet, Christina Rossetti, provides this text for Michaelmas, the Feast of Saint Michael and All Angels (September 29). Broad Anglican-styled vocal lines, harmonies and a majestic organ...

This simple but tender setting of The Lord's Prayer features a cantor who intones the text on a single note, and a chorus that echoes the text with rich chords. Composed in 2010 for Stephen Kennedy an...

Commissioned in 2010 to be performed alongside Gabriel Faure's Requiem, and utilizes the same combination of instruments. The texts for Songs for the Journey have a particularly personal nature. The f...

This movement from Songs for the Journey has a text adapted from the poem 'Epitaph' by Merrit Malloy, 'When all that's left of me is love, give me away. ' Duration: 3:00

This final movement of the larger work Songs for the Journey is set to the traditional blessing, 'May the road rise up to meet you. '

The opening lines, 'Listen, I love you. Do not turn your face / Nor touch me. ', reflect the somber feelings encompassing Sara Teasdale's poem. Paired voices initially express contrapuntal melodic lin...

Stephen Chatman's setting of Sara Teasdale's whimsical poem pertaining to a brown-thrush, April, love and kisses, emulates the meaning, strict rhythm, rhyme and strophic structure of the text. The sof...

Sara Teasdale's poem, Oh day of fire and sun, suggests a loud, fast musical setting. The syncopated homo-phonic choral texture, with high tessituras, exudes drama and excitement: it balances the expan...

Sara Teasdale's poem, The Mystery, depicts deep lasting love - 'Your eyes drink of me' and 'We have long been lovers'. It also raises a question - 'Can I ever know you / Or you know me?' Stephen Chatm...